Based on Lynn Barber’s memoir of growing up, this 1960s coming of age film put star Carey Mulligan in the spotlight, and deservedly so. She is excellent in the central role of Jenny, a smart and studious schoolgirl in the prim suburbs of ‘swinging’ London who meets socialite David (Peter Sarsgaard) by chance and soon gets caught up in the romance of his whirlwind life, itself largely built on lies and deception. Her education, then, is not of the academic variety, but amongst the chancers and hangers-on of the real world. It’s all very handsomely mounted in its period detail and settings (though one gets the sense that these leafy West London residential streets haven’t necessarily changed all that much), and tells its story with economy and verve, thanks to Nick Hornby’s script and the help of an extensive range of English acting talent.
FILM REVIEW Director Lone Scherfig | Writer Nick Hornby (based on the memoir by Lynn Barber) | Cinematographer John de Borman | Starring Carey Mulligan, Peter Sarsgaard, Olivia Williams, Dominic Cooper, Rosamund Pike | Length 95 minutes || Seen at home (blu-ray), London, Tuesday 20 October 2015
It appears to be the time of year for what are often dismissively termed “chick flicks”. I hate that term, like “women’s pictures” for the melodramas of the 1940s, it smacks of snobbish derision. There are already too many self-satisfied dude auteur films dealing with alienation and violence courting the film school pseuds, not to mention all those deadening superhero epics, so there can never be too many contrasting visions of the world. That all said, I’m not a huge fan exactly, though as far as a melodramatic ‘weepie’ goes, Miss You Already does fine. Drew Barrymore remains a potently charismatic and cheerful presence on any cinema screen even as she reaches her (shock!) 40s, but this film is all about Toni Collette’s English rock-n-roll chick (her accent doesn’t grate, thankfully), with whom Drew’s character grew up, as she acts out, gets into trouble, then has a family (apparently adjusting with ease) and, as we catch up with her, is now coping with a cancer diagnosis. Being set in London, everyone has those kind of perfect London homes that surely don’t really exist (Barrymore and boyfriend played by Paddy Considine live together on a boat overlooking Battersea Power Station!), and meaningful moments take place in picturesque locations — though at least the geography isn’t strained too far beyond credulity. More to the point, Collette gets through the tearful and angry scenes with her dignity intact, which is more than can always be said for whomever scored the film, though leaning on late-80s alt-indie classics is I suppose in keeping with the characters. It’s certainly not a bad film, and it’s even heartwarming in its way.
NEW RELEASE FILM REVIEW Director Catherine Hardwicke | Writer Morwenna Banks | Cinematographer Elliot Davis | Starring Toni Collette, Drew Barrymore, Paddy Considine, Dominic Cooper, Jacqueline Bisset | Length 94 minutes || Seen at Cineworld Wandsworth, London, Sunday 27 September 2015