Criterion Sunday 454: Europa (aka Zentropa, 1991)

One of Lars von Trier’s earlier works, back when his focus was very much on being a wunderkind behind the camera and doing tricksy things with deep focus honouring his classical heroes, while also setting the stage to some extent for Guy Maddin and others, but for me it all lacks the thrill of Maddin. It certainly achieves a certain textural depth, with the graininess of the colour tinted film and the deep contrasts of the black-and-white working quite nicely with one another. The plot is a bit Hitchcockian, with its trains and machinations and a certain post-war gloominess about the idea of Europe along with Germany’s place within it. I didn’t feel an enormous amount of attachment to the characters or the story but as an exercise in style it’s persuasive.


FILM REVIEW: Criterion Collection
Director Lars von Trier; Writers von Trier and Niels Vørsel; Cinematographers Henning Bendtsen, Edward Kłosiński and Jean-Paul Meurisse; Starring Jean-Marc Barr, Barbara Sukowa, Udo Kier, Ernst-Hugo Järegård, Max von Sydow; Length 107 minutes.

Seen at home (DVD), Wellington, Sunday 22 August 2021 (and earlier on VHS at home, Wellington, June 1998).

The First Three Feature Films by Krzysztof Zanussi: The Structure of Crystals (1969), Family Life (1971) and Illumination (1973)

Of course, the big release this Friday in the UK is a very belated one for South Korean film Parasite which has been picking up all the awards, and indeed I probably have enough South Korean films to do another themed week, though I’ve already done one a few months ago, so I’ll hold off on that for now. However, there’s also a small release for a new Agnieszka Holland film (Mr. Jones, which looks to be an odd little number, made largely in English but set in the 1930s in the USSR). She of course has a long history in Polish cinema, and I’ve just reviewed Andrzej Wajda’s seminal war film trilogy as part of my Criterion Sunday series, so herewith a themed week around Polish cinema. I’ll start with the under-heralded auteur Krzysztof Zanussi. If I don’t love his work, the posters are at least all excellent, as you expect from a country with such fine traditions of poster art

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