When looking at a catalogue of films such as that for the Europa! Europa Film Festival, where almost every title is entirely unknown to me, and even most of the directors and stars aren’t ringing any bells, you may wonder, how do you select what films to go see? I’d like to say it was because they won awards (like this one, which won the Prix Un Certain Regard at Cannes last year), but no, it’s not usually that. Obviously if they have had any critical response I do take that into account but for the most part, I don’t know the films, I look them up, and then I go to the ones directed by women or indigenous filmmakers because it’s a way to narrow down a long list of films I know nothing about. And for the most part, you get good results; this one is no exception.
Films about filmmaking are a really pretty familiar topic to any festivalgoer or even casual watcher of movies, because there’s no story filmmakers like to tell more than their own one (I mean, write about what you know is a cliché for a reason). The focus here is on the kids who have been roped into the director’s vision, which appears to be some kind of Kes-like vision of a working class life, particularly Lily and the younger boy Ryan, who play siblings in the film-within-the-film. It takes a little time to get going, but ultimately there’s quite a nuanced take on what’s going on: the film’s director alternately feels like a tyrant, having childish fits of anger on set at his (child) actors’ lack of commitment to the emotion, then a slightly creepy guy setting up a sex scene involving the teenage Lily, and ultimately as a man with quite a complex layered emotional emptiness at his heart who is fairly open about it when talking to Ryan. The young actors have their own struggles with their colleagues, schoolkids and the townspeople, and as it goes on there’s plenty of lowkey angst, but it’s relatable and understandable, and never overwhelms the story. This film won the Prix Un Certain Regard at Cannes in 2022, and I think it’s a strong choice.
Directors Lise Akoka and Romane Gueret; Writers Akoka, Gueret and Elénore Gurrey; Cinematographer Eric Dumont; Starring Mallory Wanecque, Timéo Mahaut, Johan Heldenbergh; Length 99 minutes.
Seen at the Classic, Melbourne, Sunday 26 February 2022.