I guess what’s good and also valuable about this documentary is a number of things. First off, it shows — without judgement or sneering — people of various age ranges who have all been enormous fans (“fangirls” if you will) of a boyband, getting the posters, collecting the paraphernalia, going to the gigs, just generally defining their lives for at least some period entirely around a band and their experience of that band. All four of the women interviewed in the documentary have their own respective boxes of mementoes that they retrieve from some corner of their cabinet, as if hidden away in concession to getting older. Some of them have moved on with their lives in interesting ways, but none have lost their fangirlish love of the band, and for all of them it provokes interesting digressions in their life stories.
And I suppose that’s another thing that’s really interesting about the film, in that it shows that being a fan is something that helps you through your life and does not (should not) mark you out as weird or beneath contempt. The film is keen to stress the positive, sustaining power of — in this case — being an enormous music fan, but I imagine it applies to anything else one might be a fan of. It creates social worlds and connections that can lead to love and happiness, it bridges experiences of trauma, it even connects generations. The women here have similar experiences, despite being separated by continents (there are two women in the US and two in Australia), and they are all very eloquent in talking about their lives, which it seems are more often than not unified by a feeling of being out of place. There’s the young Muslim-American women whose families in various ways find their daughters’ interests difficult, the elderly Australian woman who wasn’t allowed to pursue her own interests by her parents, or the younger one who was grappling with her own sexual orientation issues. Actually, a lot of the stuff that’s away from the fandom becomes an equally fascinating part of the story.
But most of all, there’s the filmmaker’s generosity of spirit in highlighting stories that are perfectly normal, perfectly healthy, and yet so often vilified or laughed at in mainstream culture, and this finally is what is wonderful about I Used to Be Normal.
Director Jessica Leski; Cinematographers Jason Joseffer, Simon Koloadin, Eric Laplante and Cesar Salmeron-Hoving; Length 93 minutes.
Seen at BFI Southbank (NFT3), London, Monday 7 January 2019.