L’Argent (1928)

There are many film festivals which take place every year, many quite tightly focused on a genre or country, which makes the Fashion in Film Festival one with a rather broader and more malleable purview. This year they based their event around the films of French director Marcel L’Herbier, who had rather an eye for costume design, not least in this late-silent era film.


FESTIVAL SCREENING FILM REVIEW: Fashion in Film Festival || Director Marcel L’Herbier | Writer Marcel L’Herbier and Arthur Bernède (based on the novel by Émile Zola) | Cinematographer Jules Kruger | Starring Pierre Alcover, Brigitte Helm, Marie Glory (as “Mary Glory”), Henry Victor | Length 166 minutes | Seen at BFI Southbank (NFT3), Sunday 19 May 2013 || My Rating 3 stars good


© Pathé

Not unlike the more famous Napoléon (1927) of Abel Gance, L’Argent‘s great length and its place near the end of the silent period of cinema has sometimes marked it out as being some sort of summation of a certain trend in French cinema, often called ‘impressionism’ (though that’s a contentious term). There’s certainly something to that assessment, with its freely moving camera and tight psychological focus on a small number of characters. Its reach may be greater than what it ultimately achieves, but that’s still quite a bit.

I haven’t read the original novel, but by all accounts this is a fairly loose adaptation, updating the original to the contemporary period (which is the kind of thing that even in modern films attracts criticism). At the centre is Saccard (played by Pierre Alcover), very much the image of the gruff fat cat banker, whose Banque Universelle is foundering in the markets. He seizes on a meeting with the naïve Jacques Hamelin (Henry Victor), an aviator with grand plans to drill for oil in Guyana, exploiting him to bolster the B.U.’s position and making advances on his wife Line (Marie Glory) in his absence.

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