LFF: Jenseits der Straße (Harbour Drift, 1929)

BFI London Film Festival 2013 This is the first film I saw at the 2013 BFI London Film Festival, aside from the preview screening of The Epic of Everest (1924), and I shall be presenting relatively short reviews of the films I saw at the Festival over the next week or two.


FILM FESTIVAL FILM REVIEW: London Film Festival || Director Leo Mittler | Writers Willy Döll and Jan Fethke | Cinematographer Friedl Behn-Grund | Starring Lissy Arna, Paul Rehkopf, Fritz Genschow | Length 94 minutes | Seen at BFI Southbank (NFT1), London, Sunday 13 October 2013 || My Rating 4 stars excellent


© Prometheus-Film

Film history has a tendency to memorialise only a few films as exemplars of passing trends and styles. In part this is due to the demands of film history texts, which can hardly include everything, but also reflects the way that certain films are more easily categorisable. The so-called “German expressionism” of the 1920s has its Das Cabinet des Dr. Caligari (The Cabinet of Dr Caligari, 1920) and Metropolis (1927), while Die Büchse der Pandora (Pandora’s Box, 1929) is often recalled for its star Louise Brooks’s style. In the absence of a stand-out star or a definable style, perhaps Jenseits der Straße (literally “Beyond the Street”; the origin of the more common English language title is obscure, presumably relating to its dockside setting, much of it filmed in Rotterdam) has fallen through the cracks in film history. Or maybe, as is the way with a lot of silent films, it just didn’t really exist in a physically viewable version for critics and viewers to discover until this recent restoration. A lot of films have dropped out of film history that way, too. In any case, it deserves to be reinstalled as a classic of the Weimar cinema of Germany and as one of the great silent-era films.

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