Herewith some brief thoughts about films I saw in February which I didn’t review in full.
Big Hero 6 (2014, USA)
Bride of Frankenstein (1935, USA)
Kawachi Karumen (Carmen from Kawachi) (1966, Japan)
Killer Klowns from Outer Space (1988, USA)
Lifeforce (1985, USA)
Lovelace (2013, USA)
La Reine Margot (1994, France/Italy)
The Selfish Giant (2013, UK)
Somersault (2004, Australia)
Stop Making Sense (1984, USA)
Continue reading “February 2015 Film Viewing Round-Up”
I’ve been on holiday in the United States for a few weeks and thus have not been seeing many films. However, thanks to the magic of cheap second-run cinemas (the wonderful Laurelhurst in currently-sunny Portland), I caught up with this comedy which is just being released in the UK. It’s been billed by various pundits as an “abortion romcom” although this is rather misleading and reductive, as the two aspects are fairly distinct. Abortion is hardly a laughing matter, nor is it treated as such; that the central character, Donna, a stand-up comedian, works it into a routine is more to do with her desperation and confusion at the way her life has been going. At the same time, the reality of abortion, and the importance of its availability, is not dodged either. It’s certainly something that could be an awkward blend for this kind of movie, but I think it’s all pulled off wonderfully, no little thanks to the excellent work of lead actor Jenny Slate, who had a single season as a cast member of Saturday Night Live before showing up in excellent smaller roles in TV comedies like Parks and Recreation (another training ground for many of the current generation’s finest comic actors). As Donna, she starts the film off on stage, joking about her relationship, which soon ends, leading a few nights later to some drunken sex with a cute, nice guy she meets at a bar, Max (played by Jake Lacy, who had a role in the last few seasons of The Office US series, and who has a similarly bland likeability here). The ensuing revelations are all handled well, with some low-key (and mostly self-inflicted) drama between Donna and her parents, as well as a series of awkward subsequent encounters with Max which are sympathetically handled, but not conclusively resolved. Quite apart from taking what remains a fairly hot-button issue (especially Stateside), this is a nuanced, well-made and very funny film that deserves every success, and is only more impressive for the sureness of its handling of the subject matter.
Director/Writer Gillian Robespierre (based on the short film by Anna Bean, Karen Maine and Robespierre); Cinematographer Chris Teague; Starring Jenny Slate, Jake Lacy, Gaby Hoffmann; Length 83 minutes.
Seen at Laurelhurst Theater, Portland, Oregon, Thursday 28 September 2014.