بابا عزیز Bab’Aziz (2005)

The Tunisian director Nacer Khemir made this film, the third in his so-called ‘Desert Trilogy’ made over three decades, in both Tunisia and Iran, so it’s both a North African and a Middle Eastern film at the same time, in Arabic and Farsi. It tells a sort of pan-Islamic tale of mysticism, but it harks back to a storytelling tradition that’s based more on the journey and the details than on any particular destination.


This isn’t a period film (there are cars and roads and signs of modernity), but then again it also feels really unmoored from any specific time, or even place — some characters speak in Farsi, some reply in Arabic, and that’s just how it is, a sort of pan-Islamic world utopian vision of deserts and dervishes. It functions, then, less as a film about the world as a film of a spiritual journey or quest — if I knew more about Sufism (a sort of ecstatic, dance-focused branch of Islam), I might be able to pick up on more specific reference points. An old dervish (the father Aziz of the title, played by Parviz Shahinkhou) and his young granddaughter (Maryam Hamid) trek across a desert in search of a gathering of other dervishes (those practising Sufism), while he tells a story of a Narcissus-like prince. Gradually other people they meet add in their own stories, and by the end you realise that in fact nothing very much has really happened at a plot level, but it’s all in the telling. However, it’s a beautiful rendering of this environment, with many sweeping, gorgeous shots of the desert, rich colours and expressive performances. Plot, sometimes, really is a very minor consideration.

Bab'Aziz film posterCREDITS
Director Nacer Khemir ناصر خمير‎; Writers Tonino Guerra and Khemir; Cinematographer Mahmoud Kalari محمود کلاری; Starring Parviz Shahinkhou پرویز شاهین‌خو, Maryam Hamid مریم حمید, Golshifteh Farahani گلشیفته فراهانی‎; Length 98 minutes.
Seen at home (DVD), London, Monday 26 March 2018.