Not all the prestige heritage productions of the British film industry are about rich white aristocrats, but too many of them do tend to be, even the ones directed by British-Asian directors like Gurinder Chadha. I imagine it will take a long time to truly decolonise this most stalwart of the British filmic genres, but perhaps there may be little steps in that direction. This is hardly flag-waving patriotism, mind, but it still feels a little bit misty-eyed, though I broadly liked it.
I’ve seen plenty of commentaries calling this film to task for its representation of the partition of India, specifically the way that Pakistan and its leader Jinnah seem like the ‘bad guys’ and the aristocratic Mountbattens (here played by Hugh Bonneville and Gillian Anderson) are the well-meaning yet unwitting deliverers of imperial judgment. I can’t really disagree with these criticisms, though however much the film may go out of its way to make the Mountbattens (especially Lady M) likeable and empathetic towards the Indian people, I can’t ever really get onside with imperialists, so really it’s the story of the younger lovers within the Viceroy’s household which is most affecting. It also leads to a poignant, tearful, melodramatic and sentimental climax, which can be a failing of many a big sumptuous historical epic (and this one is nothing if not sumptuous). It’s not a million miles from A United Kingdom in this respect. It has honour I think (and it clearly has personal meaning to director Gurinder Chadha, as the end credits make clear), but it’s not without its weaknesses.
Director Gurinder Chadha; Writers Paul Mayeda Berges, Moira Buffini and Chadha; Cinematographer Ben Smithard; Starring Manish Dayal, Huma Qureshi हुमा क़ुरैशी, Hugh Bonneville, Gillian Anderson, Michael Gambon, Om Puri ਓਮ ਪੁਰੀ; Length 106 minutes.
Seen at Curzon Mayfair, London, Saturday 4 March 2017.
Gurinder Chadha is the director most famous for Bend It Like Beckham (2002), though she made a splash with her first film Bhaji on the Beach (1993). She’s a British filmmaker, born in a British colony (as Kenya was) and who has lived in London for almost the entirety of her life, and is particularly good at locating stories of characters with South-East Asian backgrounds within a diverse cultural milieu that never feels suffocatingly white (as it sometimes can in other middle-class middle-brow British films). That said, of course, racism is a persistent issue in the background of her stories, and we still see those who are intent on denying the multi-ethnic nature of British society, like the skinheads in this latest film.
It’s rare to see a film this earnest and dorky, but it’s honestly very hard to take against it, however much I found it teeth-grittingly cheesy at times. The thing is, it takes its premise — the real life story of Javed (Viveik Kalra, based on the screenwriter Sarfraz Manzoor), a young Pakistani kid growing up in Luton discovering the music of Bruce Springsteen and finding connections to his own life — and plays it completely straight, without laughing at it or making jokes (though people certainly make fun of him). The first act sets up 1987 school life, complete with British versions of the classic American high school cliques, dominated by the sounds of the post-punk synth-based new romanticism of the mid- to late-80s, such that when our protagonist is handed some Bruce cassettes and starts listening to them, the music is quite different from what we’ve heard thus far. It even puts the lyrics up on screen to emphasise the effect, as he runs through a storm to the sounds of “The Promised Land” with back-projections on the council house walls: this is Gurinder Chadha’s version of total cinema, undoubtedly. It sorta works too, though I think I’d find it even more affecting to watch this on a plane, or on the couch when sick (that’s not a diss; it’s just one of those kinds of films, really comforting at a base soul level). The standout actor here turns out to be Javed’s Sikh best friend Roops (Aaron Phagura), who turns him onto Bruce, and whom I’d have been pleased to see a lot more of.
Director Gurinder Chadha; Writers Paul Mayeda Berges, Chadha and Sarfraz Manzoor (based on his memoir Greeting from Bury Park); Cinematographer Ben Smithard; Starring Viveik Kalra, Aaron Phagura, Hayley Atwell; Length 117 minutes.
Seen at Odeon Holloway, London, Tuesday 13 August 2019.
There are a number of balls in the air in this film — two teenage girls’ desire to play football professionally, a three-way love triangle they have with their coach, the clash of races and cultures between Sikh and anglo populations in West London, and a coming-out story — and it’s to the director and writers’ credit that everything works out so well. That’s not to say it’s perfect — some of those resolutions are a little strained, and I’ve never been a fan of the angular Jonathan Rhys Meyers as an actor or as a love interest (though at least here he’s playing Irish) — but on the whole it’s all rather sweet. Parminder Nagra plays Jess, the character who dreams, as in the title, of bending the ball into the back of the net like her idol David Beckham, while Keira Knightley is Jules, who happens upon Jess playing with her (male) mates in the park and invites her to join their semi-professional local women’s team. Jess’s family have other ideas for their daughter of course (a solicitor, married to a nice Sikh boy), but the film is about Jess realising her dreams and still making her family proud. It all wraps up rather too neatly — and there’s definitely more than a hint of lesbian romance to the two women’s friendship, though that is quashed by the script via Jules’s mother, an underwritten sub-plot featuring the coach, and ultimately sidetracked into another story about one of Jess’s male friends. However, all that can be forgiven, because after all it’s a comedy and thankfully it’s intensely likeable, in no small way due to Nagra in the lead role, not to mention the interest gained from seeing her family’s story.
Director Gurinder Chadha; Writers Chadha, Guljit Bindra and Paul Mayeda Berges; Cinematographer Jong Lin 林良忠; Starring Parminder Nagra, Keira Knightley, Jonathan Rhys Meyers; Length 112 minutes.
Seen at home (Blu-ray), London, Sunday 20 September 2015.