Back in the week commencing 15 May, I did a themed week around American indie films directed by women because of the release of this new Eliza Hittman film to VoD streaming services. I also reviewed her earlier film Beach Rats (2017) during that week. Naturally the new release was quite expensive those first few weeks but when the rental cost came down a bit, I did finally catch up with it, and I think it’s one of the strongest new releases this year.
I don’t think there can ever be enough stories of this nature, testifying to ordinary people and the lengths they need to go to in order to keep their lives on an even keel. This is about Autumn (Sidney Flanigan), a young woman in a small Pennsylvania town, who’s in high school and clearly gets trouble off her classmates for being too serious — we are introduced to her at a show where the evident theme is 50s Americana, but she sings a doomy song about the patriarchy. At home, her mom has her hands full with Autumn’s younger sisters, plus has a boyfriend who’s a creep. It’s a set up that’s anything but supportive, so when she finds out she’s pregnant (presumably to the dude who’s being particularly aggressively bullying towards her), there aren’t really any realistic options, and the local clinic, while friendly, have their own priorities, leading her to get on a bus with her cousin Skylar (Talia Ryder) and go to NYC without telling anybody. Flanigan is really solid at the core of this film, and a lot of what she’s dealing with remains unaddressed in the dialogue, instead communicated by posture and body language, surly aggressiveness towards her cousin at times, but at other times softening. It’s a quiet, undemonstrative film that works its magic slowly, and it’s the scene that gives the film its title which is the emotional core of the film, which never lapses into melodramatic territory, but just stays with the choice of its protagonist and her seeing that through.
Director/Writer Eliza Hittman; Cinematographer Hélène Louvart; Starring Sidney Flanigan, Talia Ryder, Théodore Pellerin; Length 101 minutes.
Seen at home (Amazon streaming), London, Sunday 9 June 2019.