Chappie (2015)

There’s a lot of interesting stuff in this scenario from the director of South African sci-fi film District 9, it’s just that as a finished film it feels a bit all over the place. The director returns to his homeland of South Africa for a story that examines dystopian class distinctions in a police state governed by a huge weapons corporation Tetravaal (whose CEO is played by Sigourney Weaver). If you think RoboCop (1987) you won’t go far wrong, especially as the film starts out with a fake news broadcast to set the scene, and has two competing robot-police projects — the “Scouts” (read: RoboCop) developed by earnest techie Deon (Dev Patel), and the “Moose” (read: ED-209) by gung-ho ex-military Vincent (Hugh Jackman, sporting quite the fiercest mullet and shorts combo ever seen on screen). After efficiently setting up the society and the company’s role, along with its warring developers, the film settles down to follow a group of gangsters (Yolandi and Ninja from the rap group Die Antwoord) who have stolen a Scout being worked on by Deon, the latter of whom has been working on developing a full AI including human emotions and learning. The gangsters proceed to name their stolen robot Chappie and inculcate him with their gangster lifestyle and values (the robot is voiced and ‘acted’ by Sharlto Copley). This would all be fine except that very little of the detail is believable: whether about the company itself (all its staff work in a small open-plan office, and security measures ridiculously lax) or about the interaction between the gangsters and robot. I found it very difficult to believe in the characters played by Die Antwoord or care about their story arc: Ninja is set up as a tyrannical and hateful father figure, but there’s a later twist in which we are required to care about his fate. The film skips back and forth between so many emotional registers that it can become exhausting, and it feels like its natural demographic should be young teenagers, though it’s probably too violent for them. Yet it shows a lot of promise in its filmmaking, in its excellent robot effects, and the big name actors were all a pleasure to watch. Enjoyable enough, but a missed opportunity all in all.

Chappie film posterCREDITS
Director Neill Blomkamp; Writers Blomkamp and Terri Tatchell (based on Blomkamp’s short film Tetra Vaal); Cinematographer Trent Opaloch; Starring Sharlto Copley, Die Antwoord, Dev Patel, Hugh Jackman, Sigourney Weaver; Length 120 minutes.
Seen at Cineworld Wood Green, London, Monday 16 March 2015.

X-Men: Days of Future Past (2014)

Perhaps I’m just getting weary of superhero movies now, but it’s not just me, surely? Days of Future Past, while hardly being terrible (sorry, X-Men Origins: Wolverine), is not the equal even of its immediate predecessor, X-Men: First Class (2011, although I’m setting aside 2013’s The Wolverine). I had hope for Marvel movies after the surprisingly enjoyable Captain America: The Winter Soldier, but that was made by a different studio. By comparison, Days of Future Past just seems lazy and bloated. There’s an end-of-days apocalyptic plotline, including a thin excuse to bring together the different timelines (and their respective actors), but it’s no more compelling than Star Trek: Generations so many years before, another franchise to which Patrick Stewart has lent his considerable actorly gravitas. As with that franchise, here too it’s ultimately the younger generation who are more convincing and enjoyable in their roles, James McAvoy as Xavier and Michael Fassbender as Magneto nicely playing off one another, though Hugh Jackman’s Wolverine remains dependable across both timelines. There’s also an expanded role for Jennifer Lawrence, and it’s just as well she’s such a fine actor as she’s required to express plenty of fairly uninflected rage and caprice. Indeed, if there’s anything I’ll remember about Days of Future Past in years to come, it won’t be the special effects or the big setpieces or the now-canonical protracted final battle sequence, but the sense of so many very talented actors (those named above, along with a smaller role for Peter Dinklage, and poor Anna Paquin all but left on the cutting-room floor) being wasted on over-extended big-budget bloat.

X-Men: Days of Future Past film posterCREDITS
Director Bryan Singer; Writer Simon Kinberg (based on the Uncanny X-Men comic book storyline “Days of Future Past” by Chris Claremont and John Byrne); Cinematographer Newton Thomas Sigel; Starring Hugh Jackman, James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Peter Dinklage; Length 131 minutes.
Seen at Cineworld Shaftesbury Avenue, London, Thursday 22 May 2014.