Criterion Sunday 239: The Lower Depths (1936/1957)

I am perhaps missing something, but Renoir somehow contrives to make this story of the poorest in society seem like another of his genteel comedies of etiquette and civility, a twirl through upper-class society mores but with shabbier clothes and fewer prospects. It certainly doesn’t feel like something based on a Russian source, but then perhaps in 1936 that’s not the kind of story that was needed. The poor and the rich are just part of a continuum perhaps, all on the same level, and certainly the Baron character moves swiftly and easily between the two. Still, not much seems particularly convincing, though Gabin remains a watchable screen presence in the lead role as a likeable thief.

A few decades later and Kurosawa’s take on Gorky’s slum-set drama really gets the sense of grinding poverty that eluded Renoir, I think. That said, by this point, Mifune’s scowling renegade character seems a little weary, barking at all the other characters in the way that hardly ingratiates him as a charismatic centre. No, instead this film is really about all the other flophouse inhabitants, each of whom has their various intersecting thing going on (and reminds me a little of Hirokazu Kore-eda’s Hana). To be honest, none of it ever really held me, but Kurosawa has a way with the camera and the staging that remains impressive.

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FILM REVIEW: Criterion Collection

Les Bas-fonds (The Lower Depths, 1936)
Director Jean Renoir; Writers Yevgeni Zamyatin Евге́ний Замя́тин, Jacques Companéez, Renoir and Charles Spaak (based on the play На дне Na dne by Maxim Gorky Макси́м Го́рький); Cinematographer Fédote Bourgasoff Федор БУРГАСОВ; Starring Jean Gabin, Suzy Prim, Louis Jouvet; Length 95 minutes.

Seen at home (DVD), London, Monday 11 February 2019.

どん底 Donzoko (The Lower Depths, 1957)
Director Akira Kurosawa 黒澤明; Writers Hideo Oguni 小国 英雄 and Kurosawa (based on the play На дне Na dne by Maxim Gorky Макси́м Го́рький); Cinematographer Kazuo Yamasaki 山崎市雄; Starring Toshiro Mifune 三船 敏郎, Kyoko Kagawa 香川 京子, Isuzu Yamada 山田 五十鈴; Length 124 minutes.

Seen at home (DVD), London, Thursday 14 February 2019.

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Criterion Sunday 190: 蜘蛛巣城 Kumonosu-jo (Throne of Blood, 1957)

The most striking aspect of this (very loose) adaptation of Shakespeare is the mist that swirls about the characters, especially at the start as they ride about, lost, in “Cobweb Forest”, and again at the end with its strange uncanny trees. The costume design, too, is richly detailed, as Kurosawa transposes the story to feudal Japan, with a number of competing warlords seeking to usurp one another’s power and thus Shakespeare’s story doesn’t seem out of place at all, even within Kurosawa’s own oeuvre. Toshiro Mifune has never been more expressive in his facial acting — perhaps too much so at times — and the persistent sense of imminent danger, as well as those atmospheric effects, remain the finest achievements of this adaptation.

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FILM REVIEW: Criterion Collection
Director Akira Kurosawa 黒澤明; Writers Shinobu Hashimoto 橋本忍, Ryuzo Kikushima 菊島隆三, Kurosawa and Hideo Oguni 小国英雄 (based on the play Macbeth by William Shakespeare); Cinematographer Asakazu Nakai 中井朝一; Starring Toshiro Mifune 三船敏郎, Isuzu Yamada 山田五十鈴, Takashi Shimura 志村喬; Length 110 minutes.

Seen at a friend’s home (DVD), London, Sunday 7 January 2018 (and years earlier on TV).