Terminator Genisys (2015)

Another attempt to kick-start a veteran science-fiction franchise, this fifth Terminator film harks back to the first one, even repurposing footage from it to create an inter-generational fight scene, which is pretty much the best thing on offer here. That said, I find it difficult to write the whole thing off as awful, because despite a general lack of inspiration — bolstered by a largely vacuous young cast (Jason Clarke’s John Connor at least carries the wounds of war, but nobody really convinces as a battle-hardened veteran) — it never actively offended me, and even offered a fairly entertaining two hours. Sadly, the script is largely at fault, with characters being forced to spend large chunks of screen time explaining the convoluted time travel premise, which involves multiple timelines and allows Kyle (Jai Courtney) to retain memories from the other timeline. At least… I think? It’s hard to really be sure. The big (non-spoilery) twist is that Emilia Clarke’s Sarah Connor now takes the lead in her relationship with Kyle (thanks to tutelage from a second Terminator/Arnie). Beyond that, the film constantly references plot points and memorable images from the first couple of films, suggesting that were it not for the messy time travel narrative, it could have just been a simple reboot of the stripped-down original, and perhaps that would have been better.

Terminator Genisys film posterCREDITS
Director Alan Taylor; Writers Laeta Kalogridis and Patrick Lussier; Cinematographer Kramer Morgenthau; Starring Arnold Schwarzenegger, Jason Clarke, Emilia Clarke, Jai Courtney; Length 126 minutes.
Seen at Cineworld Chelsea [2D], London, Wednesday 8 July 2015.

Advertisements

White House Down (2013)

As is Hollywood’s wont, there were two films last year which had terrorists take over the White House, hold the President hostage, and then have their plans ruined by John McClane I mean, an undervalued everyman character (where “everyman” is a white male, obviously). I went to see Olympus Has Fallen in the cinema, and that, I realise now, was the wrong choice. White House Down is no less silly, it should be emphasised, and it rips off Die Hard (1988) every bit as comprehensively. However, in every respect (except maybe in the acting chops of its authority figures: Melissa Leo > whoever the hell the VP is here), it proves itself the better of the two films.

It’s difficult even to pinpoint exactly what makes it so much better. Perhaps it helps that here the threat is a loose alliance of ex-military right-wing gun nuts and racists, rather than a generic East Asian terrorist collective (nominally North Korean, but apparently Chinese in the original conception), which immediately disarms the racist connotations of our white heroes’ triumph. Here the racial diversity is instead on the side of the Americans, with a post-Obama Presidential turn by Jamie Foxx, who does his best to capture the requisite gravitas. If he doesn’t always succeed, his looser performance still allows for some lovely moments with our hero Channing Tatum’s politically-savvy teenage daughter Emily (Joey King), not to mention a bit of knockabout humour involving a rocket launcher.

The daughter’s there for a bit of human interest, and the set-up follows a standard generic pattern: as John Cale, Tatum has been a bit of an unreliable dad and now must prove his worth to his daughter, which he does by trying to get a Secret Service job (he doesn’t pass his interview, but not before we’ve had a hint at some backstory with Maggie Gyllenhaal’s Carol). When the terrorists attack, father and daughter are separated, giving his resistance to the terrorists a bit of personal motivation (when he overhears the evil mastermind threatening to kill the President, he means to push on with finding his daughter, and has to kick himself to go back and help). His daughter is not totally helpless, it turns out (shades of Jason Statham movies like Safe and Homefront there), but she’s still too young not to need his help. Then again, you only really need to accept these familiar tropes; the fun is in how efficiently they are mobilised, and there’s a relative minimum of sentimental mawkishness.

As you’ll have guessed, there’s nothing startling or new here. If you liked Die Hard and you are fond of this kind of action thriller, then you should really enjoy White House Down. It’s a solid bit of big Hollywood summer entertainment.

White House Down film posterCREDITS
Director Roland Emmerich; Writer James Vanderbilt; Cinematographer Anna Foerster; Starring Channing Tatum, Jamie Foxx, James Woods, Maggie Gyllenhaal, Jason Clarke; Length 131 minutes.
Seen at home (Blu-ray), London, Saturday 7 June 2014.