Criterion Sunday 218: Le Cercle rouge (1970)

Connoisseurs of the heist film may be able to speak lyrically about the various differences between them all, but at some stage all these (often French) mid-century heist flicks blend together in my mind. There’s a long, silent sequence of them pulling it off, which harks back to Rififi (if I’m not mistaken), which had a similar wordless heist procedural section. This one also has Alain Delon in a trenchcoat — somewhat as he is in Melville’s other films — but it’s a taut, well-told story with plenty of suspense. Quite why everything is happening is a little vague, but the performances and the snappy filmmaking pull it through, and keep it entertaining.


FILM REVIEW: Criterion Collection
Director/Writer Jean-Pierre Melville | Cinematographer Henri Decaë | Starring Alain Delon, Gian Maria Volonté, Yves Montand, André Bourvil | Length 140 minutes || Seen at Castro, San Francisco, Monday 5 May 2003 (and on DVD at a friend’s home, London, Sunday 17 June 2018)

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Criterion Sunday 150: Bob le flambeur (1956)

There’s style here undoubtedly: its tale of a down-on-his-luck gambler looking for one last big score by staging a heist has been cribbed for so many subsequent films that it can’t help but feeling like cliché. The plot’s not all that later filmmakers (not least early Godard and all his fanboy imitators) would take — the use of music, the laid-back style, the pop culture references (all those film posters; Breathless really did owe a lot to Melville). The problem is — and I concede this may just be because I’ve seen all its imitators first — I wasn’t grabbed by it. It looks great but these guys all feel like empty archetypes, and the young woman’s ​characterisation appears to be undressing in various men’s apartments.


FILM REVIEW: Criterion Collection
Director/Writer Jean-Pierre Melville | Cinematographer Henri Decaë | Starring Roger Duchesne, Isabelle Corey | Length 102 minutes || Seen at a friend’s home (DVD), London, Sunday 26 March 2017