It may not be the only documentary out this year that deals with snowy climates (a NZ effort earlier dealt with the Erebus disaster in Antarctica), but in portraying the native Sherpa community of Nepal, Australian documentarian Jennifer Peedom finds a interesting way into a story that touches on a lot of issues of the moment, not least the corrosive effect of global capitalism on local communities. By living around the base of the Himalayas, the Sherpas pretty much single-handedly supply the workforce for the many expeditions of rich Westerners looking to scale the summit, as they seek closure of their respective personally-meaningful spiritual journeys or whatnot. It’s just that in doing the gruntwork the Sherpas are exposed to exponentially more danger than the pampered clients, without a great deal of reward or compensation when things go wrong, which they frequently do. Stories like this year’s blockbuster Everest tell of tragedies that kill (white) mountaineers, but in 2014, 16 Sherpas were killed on a dangerous iceflow, and that’s not particularly surprising to anyone interviewed here. And so the documentary moves from its inception as an unusually beautiful and lyrically-edited portrait of a community to being witness to a nascent political struggle, pitting that community against an unfeeling government, not to mention the rich adventurers who are as likely to compare them to terrorists for denying them their tedious pseudo-spiritual vision quests. Still, Peedom has a generosity of spirit which I lack, finding time to incorporate all these viewpoints and giving a real sense of what it is to be involved in the Everest industry.
Director/Writer Jennifer Peedom; Cinematographers Renan Ozturk and Hugh Miller; Length 96 minutes.
Seen at Picturehouse Central, London, Tuesday 22 December 2015.