I’ve been doing a themed week focused on ‘foreign’ science-fiction, due to the recent release of French film Proxima in cinemas, but once again today’s film is one I’m rather squashing into that remit, being a British film (albeit a co-production with Austria and Germany) in English with British stars. However it’s directed by the wonderful Austrian director Jessica Hausner, one of my favourites, especially for her recent films like this one and Amour Fou. She creates a very controlled and threatening atmosphere in this dystopian sci-fi about genetically modified plants.
I see that this film has been pulling in fairly mixed reviews, probably on account of blending Jessica Hausner’s very particular style, honed over the course of a number of inscrutable dramas about alienation and resentment, to a generic form (broadly speaking, a sort of sci-fi horror thriller). Of course, Hausner’s 2004 film Hotel has a not dissimilar general feel, but she has developed quite a bit as a director since that film, and Little Joe has a supremely polished style. The camera glides around, quite often moving in to focus on the intangible space between characters as much as the people themselves. The threat here, then, is an unseen one in the air, particularly apropos for this particular historical moment one might say (mid-2020), and feels reminiscent of Safe (along with a dissonant score and subtly alienating sound effects), though this film is more directly about the dangers of messing with Nature.
Emily Beecham (sporting a shock of ginger hair reminiscent of earlier iconic roles by her co-star Kerry Fox) is Alice, a scientist working with Ben Whishaw’s Chris on a new houseplant which they hope will promote happiness via some genetic modifications, but… things start to go awry, and eventually it just seems to be Alice who questions the potential dangers of this new plant. Unlike in Invasion of the Body Snatchers, the way that others become infected are subtle and deniable, such that Alice finds herself questioning her own experiences; the allegorical danger the film raises is not simply that of interfering with nature, but implicates the recognisable contours of our own current workplace culture. It’s stylish and atmospheric, building tension impressively without resorting to hysteria.
Director Jessica Hausner; Writers Hausner and Géraldine Bajard; Cinematographer Martin Gschlacht; Starring Emily Beecham, Ben Whishaw, Kerry Fox; Length 105 minutes.
Seen at home (BFI Player via Amazon streaming), London, Monday 22 June 2020.