1971 (2014)

The rise of the surveillance state has been a fertile area for films in recent years, following Wikileaks revelations and, more potently, the cache of information provided by Edward Snowden. This was most memorably covered in Laura Poitras’s Citizenfour, and many of the crew for that (including Poitras as producer) are involved with this documentary looking back at an important historical precedent. Of course, as we’ve seen in plenty of paranoid thrillers of that era, the 1970s — riven particularly by opposition to the unpopular war in Vietnam — was another great time for questioning the liberties taken by the government, and the surveillance that was done back then was similar in certain aspects to intelligence programmes relaunched after 9/11. Perhaps the one with the most lasting fame was COINTELPRO (for Counter-Intelligence Programme), involving the systematic undermining of largely political targets by the FBI in ways that were entirely illegal. As 1971 makes clear, the revelation of this programme was largely due to the break-in to a small FBI office by a group of anti-war protestors in 1971, who for the first time appear on camera to tell their story. What’s affecting about it is that all of those involved are now in their 60s, with respectable jobs and families, who were acting out of disgust at the ways the US government was operating in the 1970s. In these reflective interviews, some of the participants waver in their youthful beliefs, but one couple at the centre of the break-in were very conscious of putting their whole family in jeopardy, and this comes to be the emotional core of the film in a way. At the same time, all the information which they revealed about the FBI’s operations of the time (still an organisation run by the feared J. Edgar Hoover) remains fascinating as an archival glimpse into fairly recent history.

1971 film poster CREDITS
Director Johanna Hamilton; Writers Hamilton and Gabriel Rhodes; Cinematographers Andreas Burgess and Kirsten Johnson; Length 80 minutes.
Seen at Curzon Bloomsbury (Bertha DocHouse), London, Sunday 14 June 2015.