I can’t really imagine anyone else adapting this work, and what Gilliam does feels about as faithful as one is likely to get to the tone of Thompson’s novel: it’s a constant barrage of surreal, warped visions of drug-addled psychedelia shading over endlessly into the bleak darkness of the American Vietnam War-era psyche. And yet it’s so exhausting to watch, so unrelentingly ‘gonzo’ in its approach. Surely this is the genesis for the rest of Depp’s later career, as his director makes no effort to rein in Depp’s absurdist tics whatsoever (he probably demanded more), and so his Thompson/Raoul Duke is bouncing off the walls — apt for the character no doubt, but as I say, tiring to watch. Which probably makes this film adaptation some sort of masterpiece, maybe even Gilliam’s best work (he’s certainly not done anything since that, to me, matches it), but it’s also a weary, weary descent into a very specifically American madness.
FILM REVIEW: Criterion Collection Director Terry Gilliam | Writers Terry Gilliam, Tony Grisoni, Alex Cox and Tod Davies (based on the novel by Hunter S. Thompson) | Cinematographer Nicola Pecorini | Starring Johnny Depp, Benicio del Toro | Length 118 minutes || Seen at Rialto, Wellington, Saturday 3 October 1998 (and most recently on DVD at a friend’s home, London, Sunday 15 October 2017)
FILM REVIEW || Director Gore Verbinski | Writers Ted Elliott and Terry Rossio | Cinematographer Dariusz Wolski | Starring Johnny Depp, Keira Knightley, Orlando Bloom, Geoffrey Rush, Bill Nighy | Length 168 minutes | Seen at home (DVD), Friday 26 April 2013 || My Rating good
My critical introduction to this film series was via Mark Kermode’s ever more vituperative rants on Simon Mayo’s and his BBC Radio 5 Live film review podcast, and needless to say, hearing his opinion did not engender much of a desire to see the films. There it probably would have ended for me, were it not for my wife’s desire to re-watch them. On this third instalment, I’ve heard plenty of subsequent opinion on both sides of the divide, some saying that the third film is even worse than the second, while other friends consider it not just the best of the franchise but a great film in its own right. If I can’t entirely embrace that challenging position, I am certainly of the opinion that it is a far superior film to Dead Man’s Chest (2006). The real surprise is that the two films were made back-to-back by the same cast and crew, given how differently they turned out.
FILM REVIEW || Director Gore Verbinski | Writers Ted Elliott and Terry Rossio | Cinematographer Dariusz Wolski | Starring Johnny Depp, Keira Knightley, Orlando Bloom, Bill Nighy | Length 151 minutes | Seen at home (DVD), Tuesday 23 April 2013 || My Rating disappointing
Whatever the drawbacks of its source material (it’s based on a carnival ride at Disneyworld, after all), the first Pirates of the Caribbean film (The Curse of the Black Pearl, 2003) was at least proficient entertainment with some good actors thrown into the mix. In extending the franchise, the filmmakers have crammed in a whole lot more attractively-shot theme park diversions but seem to have lost a few elements that (for me, at least) make for a good film watching experience.