I don’t know what aspect of the punk spirit this speaks to — the messy avant-gardism and unpolished amateurishness, the gleefully garish colours (Toyah Willcox’s character Mad has hair which is a constant delight), the casual nudity, sex and violence — but it has a pleasingly anarchic, almost joyfully queer (although I suppose that’s not a word that would have been welcomed at the time), aesthetic that makes it still very compelling and watchable even as it must be now almost 40 years since its premiere. That said, it’s all very much of its time, a vision of post-apocalyptic England in a time of deprivation and uncertainty for which one can draw certain parallels, but a lot of which seems very much bound up in an era of political change. Jarman’s spirit is art school to the core, which made his film unpopular with the art school-bred punks (as Tony Rayns points out in a bonus feature documentary on its making), who preferred trying to come across as something more akin to brazen oiks. However, whatever Jarman’s own political take on things was, this is a still a bright, playful and inclusive vision of the end of days.
FILM REVIEW: Criterion Collection Director Derek Jarman | Writers Jarman and Christopher Hobbs | Cinematographer Peter Middleton | Starring Jenny Runacre, Jordan, Nell Campbell, Toyah Willcox | Length 103 minutes || Seen at a friend’s home (DVD), London, Sunday 14 January 2018
I really wanted to like this film. It seems like a worthwhile pursuit, recasting the internationally-set counter-terrorist action thriller with a female hero, fighting the good fight against a confluence of terrorism, governmental corruption and capitalist business interests while dealing with the trauma of her own family background. Sofia Black D’Elia in the central role of Mina does decent work limning these various divides, it’s just that she’s not really given much support from the other actors or, more importantly, the script. A lot of the plot contrivances feel fairly perfunctory in order to move the narrative along, and even veteran English actor James Frain seems a bit lost with some of his lines. It doesn’t help either that the villains lack a certain charisma, with the role of Mina’s tormentor/father, an interesting character certainly, succeeding neither at being a vengeful terrorist or a sympathetic freedom fighter. Still, it’s filmed with panache given the presumably low budget involved, and vigorously works through the (over-)familiar setpieces to set up a final confrontation with a female antihero.
FILM REVIEW Director Vicky Jewson | Writers Ben Hervey [as “Alan Heartfield”], Vicky Jewson and Rupert Whitaker | Cinematographer Malte Rosenfeld | Starring Sofia Black D’Elia, James Frain | Length 109 minutes || Seen at home (DVD), London, Tuesday 4 August 2015