Criterion Sunday 266: The King of Kings (1927)

It is difficult to watch this epic-length life of the Christ without thinking of Hail, Caesar! and its satirical take on the po-faced earnestness of filmmakers trying to render the Biblical story visual. DeMille’s production hasn’t got an ounce of jocularity or self-awareness to it, and to a certain extent that’s just as well, because it’s difficult to approach some of this material without being utterly committed to the solemnity of it all. It feels less like a portrait of Judaea 20 centuries ago as it does a pageant of big iconic scenes, and DeMille spares no effort to have doves fluttering around the important symbols, or have Jesus holding a lamb. Indeed, the campness is high as Jesus is backlit with lights every time he appears, looking like every (Western) portrait of him, all glistening beard and beatific expression (except, briefly, when Simon Peter has renounced him three times and Jesus looks on smugly). There’s some interesting use of very early colour in the opening and during the Resurrection sequences, though the black-and-white is more persuasive and has a real beauty to it at times. There is undoubtedly some great religious art which has been made, even about Jesus, over the years, but this one feels like it’s more for the existing fans, rendering iconic all the famous scenes, without really finding the drama (as say in another Criterion release, The Last Temptation of Christ) or a persuasive sense of how the lived experience might have been back then (as in Life of Brian). Sosin’s score has a grandeur and, for better or worse, largely matches the film’s own storytelling, at times lapsing into a slight kitschiness.

CRITERION EXTRAS:

  • There are two discs, and the second has a shortened 112-minute release from 1928, with two separate scores. I haven’t watched that yet, but will update this page when I have.
  • On the first disc, the extras are a few production photos, some from the film’s premiere at Grauman’s Chinese Theater (it was the film chosen as the opening premiere at this new cinema), as well as extensive documentation of the original illustrated programme booklet (both photos and extensive text of the contents), and some telegrams from DeMille to his cast.

FILM REVIEW: Criterion Collection
Director Cecil B. DeMille; Writer Jeanie Macpherson; Cinematographers J. Peverell Marley and F.J. Westerberg; Starring H.B. Warner, Ernest Torrence, Jacqueline Logan, Joseph Schildkraut; Length 155 minutes.

Seen at home (DVD), London, Sunday 20 October 2019.