I gather from the internet that not everyone loves this film, which is both a shame, and understandable to an extent — it shares certain qualities with other low-budget improvised films (like Joe Swanberg’s Happy Christmas). You may know the kind of thing: that tentative awkwardness of the actors as they navigate conversations for the first time, not to mention some of the darker recesses of the characters’ emotions — the kinds of things that mainstream films tend to shy away from. For all that it’s clearly made as a labour of love, and it looks very polished, with a photographer’s eye for framing and cutting together. Rosemarie DeWitt plays the central character of Abby, a massage therapist who starts to become averse to skin, while her brother Paul (Josh Pais) is an introverted and unsuccessful dentist who suddenly finds popularity due to his presumed healing powers, and caught between these two are Paul’s daughter Jenny (Ellen Page) and Abby’s boyfriend Jesse (Scott McNairy). It’s a film of people who have trouble relating to one another, and who exhibit all kinds of social anxieties that may explain a low-level attachment towards various alternative New Age-y therapies — things that wouldn’t usually make for gripping cinema, which is probably why it’s not going to be a big hit with everyone. However, it does so in an attentive low-key way that pays off dividends in Shelton’s more recent Laggies, which marries some of this psychological character work to a bigger budget and stars.
Director/Writer Lynn Shelton; Cinematographer Benjamin Kasulke; Starring Rosemarie DeWitt, Ellen Page, Josh Pais, Scoot McNairy, Allison Janney; Length 88 minutes.
Seen at home (Amazon streaming), London, Thursday 20 August 2015.