NEW RELEASE FILM REVIEW || Director Richard Linklater | Writers Richard Linklater, Ethan Hawke and Julie Delpy | Cinematographer Christos Voudouris | Starring Julie Delpy, Ethan Hawke | Length 109 minutes | Seen at Cineworld West India Quay, London, Sunday 23 June 2013 || My Rating excellent
The third in a series of films about the same two characters, Before Midnight is a worthy successor to Before Sunrise (1995) and Before Sunset (2004), a trilogy which will no doubt be remembered as among the highest achievements of director/writer Richard Linklater. However, at the same time, it’s definitely the most bitter of the three, with another nicely-judged ambiguous ending that leaves open far more than it resolves.
By this point in the series, it should be clear there’s little plot to recount exactly: Jesse and Céline, now in their 40s, are on holiday in Greece with their children (a son from Jesse’s earlier marriage, and two girls they’ve had with one another), staying at the home of respected writer Patrick (played by cinematographer Walter Lassally). Over the course of their final few days there, they talk to each other, touching on the feelings they’ve developed over the past nine years and what the future holds…
If the focus is still squarely on these two, it also widens the scope to include a small circle of friends they’ve made in Greece. As a couple, their story is now set beside several others, at different stages in their relationships: young lovers enjoying their first extended period of time together; an older married couple who have become comfortable with one another; and the elderly writer Patrick and his friend Natalia, both of whom have lost their partners. It’s also framed by the Greek countryside, its ruins and its long literary legacy. That historical propensity for tragedy is briefly touched upon, but it is only fully developed in the final third of the film, during an extended and brutal scene of argument in a hotel room.