The film I’m reviewing today has been picking up plaudits all year, and I believe is already on Amazon Prime so well worth checking out, but I was pleased to give it my support and watch it during the London Film Festival.
This is a film. It’s the second black-and-white film I’d seen in the same day dealing with Black lives in modern America (after Netflix’s The Forty-Year-Old Version), but this has a richness in the telling that belies its origins. A lot of it is archival footage, covering the way that a woman, Sibil Fox Richardson (or “Fox Rich” for short), has been waiting and campaigning for her husband to be released, after a 60-year sentence for an ill-advised robbery committed when he was younger. A lot of the film just tracks her through various events and life stages, as her kids grow up and she speaks about her attempts to reform the system, chasing up judges and parole boards. It all coalesces in the final minutes in a sequence that really floored me, in its beauty and its empathy, and I feel revived in a very real way.
Director Garrett Bradley; Cinematographers Zac Manuel, Justin Zweifach and Nisa East; Length 81 minutes.
Seen at home (BFI Player streaming), London, Sunday 11 October 2020.