The Duel at Ganryu Island is the final film in Inagaki’s trilogy about the famous 17th century samurai Musashi Miyamoto, and it follows on from the introduction of our hero as a young man in the first film and then his peripatetic years as a wandering ronin in the second. By this point he is widely renowned, and courted by powerful leaders, but elects instead to live in a humble fashion by a village. Again, there are reminders of Kurosawa’s Seven Samurai in the way Musashi works to protect the village near which he lives from bandit attacks, but for the most part the film again focuses on his relationship with Otsu and Akemi, two women who’ve been in love with him for much of the trilogy’s running time. The visual palette is once again richly coloured, and Inagaki and his cinematographer (different on this film than the previous two) show a fondness for long shots with plenty of depth of focus. The big challenge for Musashi — and the conflict with which the film ends (at sunset once again, as with both previous films) — is his fight with the charismatic Sasaki Kojiro; both of them have been developing swordplay techniques which are put to the test here. The surprise for me has been quite how immersive and enjoyable this series has been, despite not being much aware of it beforehand. Inagaki has every bit the technical mastery of his more famous compatriots, and a sure sense of storytelling that still allows for plenty of character development. It’s a fine way to end an excellent run of films.
Criterion Extras: As a result of this project, I’ve been buying a lot of Criterion editions of the films, but it would surely be almost impossible (or would probably bankrupt me) to watch every film in its Criterion edition. However, where I have, I will add a note about the extras. I’ve mentioned already the beautiful colours of the film, and of course, as you’d expect, these have been rendered wonderfully by Criterion. As far as the extras go, all we have on the Samurai Trilogy are the original trailers, along with some short (c. 8-10 minute) video pieces in which an academic discusses the historical context for the real character of Musashi. These are all perfectly informative, if hardly up to Criterion’s usual standard.
FILM REVIEW: Criterion Collection
Director Hiroshi Inagaki 稲垣浩; Writers Inagaki and Tokuhei Wakao 若尾徳平 (based on the novel 宮本武蔵 Miyamoto Musashi “Musashi” by Eiji Yoshikawa 吉川英治, and the play by Hideji Hojo 北条秀司); Cinematographer Kazuo Yamada 山田一夫; Starring Toshiro Mifune 三船敏郎; Length 105 minutes.
Seen at home (Blu-ray), London, Sunday 28 December 2014.