The Edge of Seventeen (2016)

I hope Kelly Fremon Craig gets to keep making movies, and I hope she takes over from Richard Linklater’s deeply boycentric visions, which I’m only reminded of because Blake Jenner must be going through the ‘sensitive jock’ phase of his career. But no, this is a film about Nadine (Hailee Steinfeld) and it’s wonderful. It has great timing and an ear for dialogue, whether comic or dramatic (and it does certainly run the gamut). The score isn’t too assertive, even if I did spend the first 10 minutes thinking it was a retro 80s film (fashions come around, I guess). I didn’t buy everything that happened, and the ending felt more than a little bit tacked on — the character cycle Nadine is trapped in doesn’t seem like it’ll have a happy resolution, but the film is above all generous to its characters. However, it felt particularly right in its character interactions and in the moves from angst (no Nadine, stay away from Jordan Catalano… or whatever his name is in this film*) to very droll comedy to lacerating drama, like any good coming of age film. And it’s definitely a good one.

[* It’s Nick, and he’s no good.]

The Edge of Seventeen film posterCREDITS
Director/Writer Kelly Fremon Craig; Cinematographer Doug Emmett; Starring Hailee Steinfeld, Woody Harrelson, Kyra Sedgwick, Blake Jenner, Hayden Szeto; Length 99 minutes.
Seen at Cineworld Leicester Square, London, Tuesday 6 December 2016.

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