On the Wikipedia entry it states that director Sean Baker was inspired by films seen at the New Zealand International Film Festival, and I can empathise with this, as this was my main window into the world of cinema when I was at an impressionable age (my 20s). Low-budget New Zealand filmmakers really do work with nothing (I shared a flat with one for a few years), so working under pressure and improvising with what’s available is very much a necessity. That spirit of fvck-it-let’s-just-make-a-film comes across well in Tangerine, which to some is famous for being the ‘film shot on an iPhone’. More importantly, it’s a film which represents characters who don’t often make it to the mainstream multiplex, and does so in a sympathetic but rounded way. The transgender characters (and actors) portrayed here are neither saints nor villains, but just people, albeit ones who are marginalised in a city (Los Angeles) that, more than many, judges on appearances and is surely difficult to live in for those without money. And so it’s an LA not often seen in Hollywood cinema, of wide streets and seedy back alleyways, of indistinguishable chain restaurants and, in a surprising parallel plot, a regular working-class Armenian couple’s home. It’s also set at Christmas, perhaps for extra alienation, as certainly the Los Angeleno Christmas vibe is hardly what most people think of when that holiday is depicted (though perhaps it may put at least some viewers in mind of religious virtues of forgiveness and tolerance). In any case, it’s a bitter, cut-throat world of prostitution and drug deals, of bitter relationships forged in adversity, and — most noticeable — the film is, quite frequently, caustically funny. It may not be a polished film in any traditional sense, but it’s visually striking, and is made and acted with plenty of vigour that more than makes up for any longueurs.
Director Sean Baker [as Sean S. Baker]; Writers Baker and Chris Bergoch; Cinematographers Baker and Radium Cheung; Starring Kitana Kiki Rodriguez, Mya Taylor; Length 88 minutes.
Seen at Odeon Panton Street, London, Tuesday 29 December 2015.