There’s a new American film out in cinemas that’s catching acclaim right now, Miss Juneteenth, but last week saw the belated UK release of Rocks, one of the stand-out films which premiered at last year’s London Film Festival (and Toronto too), and was originally slated for an April release. It’s great to finally have seen it, one of the recent highlights of a new crop of great British films that deal with real lives.
Watching this new and acclaimed British film, I find myself surprised because I sort of had director Sarah Gavron (unfairly no doubt!) pegged in my mind as a fairly bland middlebrow director, though perhaps I was just feeling uncharitable towards the very heritage-film-adjacent Suffragette (2015). However, this project is an entirely different story of quite different people in a different era (well, it’s set in the present). It’s clear, as the filmmakers discuss in a brief video intro that screens before the film, that this was very much a collaboration not just between the two writers but between them and the young first-time actors they found to play most of the roles. And it’s very persuasive (though co-writer Theresa Ikoko is right to question the meaning of the phrase “authentic”), if only — but not only, let me be clear — because it tells a story of characters who aren’t often foregrounded in British films.
Specifically it’s about a Black British girl of Nigerian descent, Olu, but nicknamed “Rocks” (Bukky Bakray), her small brother Emmanuel (D’angelou Osei Kissiedu) and her entirely believable set of friends, most notably the slightly gawky Sumaya (Kosar Ali). Rocks finds herself abandoned by her mother and takes a picaresque tour of all these friends’ lives and their disparate living situations. The film is shot by Hélène Louvart as a constant jumble of movement and faces against its East London backdrops (somewhat more close-in than perhaps intended for me, because the cinema I was in showed it in the wrong aspect ratio). Anyway, it’s a great film that deals believably with young British kids navigating their lives, played very much as teenagers with all the awkwardness with words and difficulty around emotions as is too little seen, and makes it into a moving drama.
Director Sarah Gavron; Writers Theresa Ikoko and Claire Wilson; Cinematographer Hélène Louvart; Starring Bukky Bakray, Kosar Ali, D’angelou Osei Kissiedu; Length 93 minutes.
Seen at Curzon Aldgate, London, Saturday 19 September 2020.