Criterion Sunday 393: おとし穴 Otoshiana (Pitfall, 1962)

You get the sense of what director Hiroshi Teshigahara is about from this film, his debut feature, which has the bleak monochrome landscapes and the sense of alienation from the rest of society that marks his most famous work The Woman in the Dunes. This is partly a supernatural ghost story, but that comes from its mining village setting, where lives are hard, faces caked in sweat, and murder and corruption abounds (embodied by a lethally white-suited manager type). It’s not always clear what exactly is happening, but you know enough that what’s happening is bad and it’s the lowest in society who are being screwed over. It makes for a fascinating study.


FILM REVIEW: Criterion Collection
Director Hiroshi Teshigahara 勅使河原宏; Writer Kobo Abe 安部公房 (based on his television play 煉獄 Rengoku); Cinematographer Hiroshi Segawa 瀬川浩; Starring Hisashi Igawa 井川比佐志, Sumie Sasaki 佐々木すみ江, Kunie Tanaka 田中邦衛; Length 97 minutes.

Seen at home (DVD), London, Monday 5 October 2020.