This is very obviously neither an indie film nor exactly is it much related to “mumblecore” in any way, but rather it’s a knowing genre film that uses these familiar murder-mystery whodunit tropes to tell a somewhat sub rosa story of class and race in modern America. At some level I guess I still think of Rian Johnson as indie, perhaps because of his first film Brick (2005), though he very quickly took to rather bigger productions, which this of course is. Still, my blog my rules, so I’m putting it in this themed week.
A very polished and fun whodunit murder-mystery thriller set amongst a rich family at their stately old New England pile, which revolves ultimately around capitalism, class and immigration, though without ever really overtly digging into these topics. In fact, nothing ever feels more important than when it’s prefiguring another twist or leading to some well-crafted satirical repartee, but that’s all part of the film’s easy charm. The old man who has died mysteriously (Christopher Plummer) is a renowned author, and we discover in flashbacks — because the film starts with his dead body being discovered — that most of his extended family basically live off him, much to his increasing chagrin. Saying more about it would be to trade in spoilers, which I do not care to do, but there’s a wealth of delightful little character details, as well as some big chewy roles for the assembled hams to have a crack at (none moreso than Daniel Craig’s Sherlock-like drawling Lousianian private investigator), and some fine casting does a lot of the work, but Ana de Armas as the old man’s nursemaid turns out to be the stand-out role in the starry ensemble. It’s all intricately plotted as you might expect, and its charms are fairly surface-level, but see it in a big audience and there’s plenty to delight.
Director/Writer Rian Johnson; Cinematographer Steve Yedlin; Starring Ana de Armas, Daniel Craig, Chris Evans, Jamie Lee Curtis, Michael Shannon, Lakeith Stanfield; Length 130 minutes.
Seen at Curzon Aldgate, London, Sunday 1 December 2019 (and again at the Genesis, London, Sunday 8 December 2019).