I’ve seen a fair few Lav Diaz films now (which means several days’ worth of running time probably), and reviewed some of them on here, but I have yet to really have my Damascene moment with his work. I like his style, I like the way his films are shaped, which seems to me to be distinct and different from a lot of contemporary cinema. Yet for all that I’ve at times really liked the experience of watching one of his often epic-length narratives, I still don’t find them as thrilling as I should, and I fear that may be the case for this one too. It’s a musical, yes, but it’s very much a Lav Diaz film too, for all that this might entail. I do, however, feel like I’ve learned a lot about Filipino society and history from his work, which can be its own reward of course, and will be why I keep returning to him. (I hope to do a themed week around cinema of the Philippines soon.)
In most musicals people sing to express joy or love, where the heightened presentation reflects the characters’ excessive emotional states, but then there are those musicals where the songs mask a deeper pain that cannot be expressed through simple words, and, well, I’ll let you guess which of those categories this film falls into. It’s called Season of the Devil and it’s set in the late-70s during the Marcos regime, as bands of vigilantes have been organised into uniformed militias (the CHDF) to maintain local order and the power of the regime through violence and repression. The setting is a remote village where a young woman (Shaina Magdayao) has set up a free clinic, and the lush black-and-white cinematography recalls Lav Diaz’s recent historical epic A Lullaby to the Sorrowful Mystery (2016). This one moves at more of a clip, but it still expresses a great deal of pain, and feels like one of his bleaker films of recent years, and we see the people of this small community in pain at the violence and tyranny wrought by the government. Fairly uneasy viewing in Duterte’s Philippines, one suspects, and this perhaps explains why it was shot in Malaysia.
Director/Writer Lav Diaz; Cinematographer Larry Manda; Starring Piolo Pascual, Shaina Magdayao; Length 234 minutes.
Seen at home (Mubi streaming), London, Sunday 18 August 2019.