I’m not quite sure how to take this film by Louis Malle. It seems like a provocation — if a rather gentle one — in many respects, especially with the mother-son relationship between our protagonist Laurent (Benoît Ferreux) and his mother Clara (Lea Massari). Indeed, the tone is rather gentle despite all the trouble Laurent gets up to, as if it were a soft-focus remake of The 400 Blows perhaps — it’s set in the 50s as well, though aside from mentions of the war in Indochina, that is largely about the set dressing and the style. He’s not ultimately very likeable though, and perhaps that’s just me missing the charm all the characters in the film seem to see in him, and perhaps the fact it’s a lightly fictionalised autobiography of the director blinded him to those qualities (or maybe it’s just honesty), but Laurent has the smug look of a future leader of society, like the jerks his brothers are or the young people he seems to hang around when in recuperation (thanks to the medical condition that gives the film its title). With all this incident, at times it just wants to be a slight sex comedy, at other times it’s far more interested in his mother and her struggle in her relationship with a boring doctor father. For me, it never quite resolves into anything, and as far as period 70s coming of age films, I prefer Peppermint Soda (1977).
- All the extras are on a supplementary disc, which I shall comment on in the post for the box set.
FILM REVIEW: Criterion Collection
Director/Writer Louis Malle; Cinematographer Ricardo Aronovich; Starring Benoît Ferreux, Lea Massari, Daniel Gélin, Michael Lonsdale; Length 118 minutes.
Seen at home (DVD), London, Saturday 20 June 2020.