NEW RELEASE FILM REVIEW || Director Harald Zwart | Writer Jessica Postigo Paquette (based on the novel City of Bones by Cassandra Clare) | Cinematographer Geir Hartly Andreassen | Starring Lily Collins, Jamie Campbell Bower, Robert Sheehan, Jonathan Rhys Meyers, Jared Harris | Length 130 minutes | Seen at Picturehouse Stratford East, London, Wednesday 28 August 2013 || My Rating likeable
I’m not sure where to begin with this film. It’s too long for a start. It’s ridiculous, filled with all kinds of supernatural phenomena and pseudo-religious mysticism, and there’s seldom a moment when the protagonists are not running around doing something that defies logic or sense. There are scenes that are so overwhelmingly over-the-top that I can’t believe that everyone didn’t just burst out laughing when staging them. But then again, maybe they did and maybe that’s the point. I found the film likeable quite in spite of itself, somewhat the way I felt about the Twilight Saga. Maybe I’m just projecting, but amongst all the po-faced battles against demons, it seemed like the film had its tongue firmly in its cheek.
God knows, there are probably a hundred reasons to dislike Stuck in Love. You could start, or perhaps you could end, with that full stop in the film’s title. It’s a film about writers, you see, the type of rarefied East Coast milieu you get in, say, Noah Baumbach films or in Wonder Boys (2000), also about a frustrated novelist. It focuses on a family of self-involved artistic types (Greg Kinnear is the father Bill, Nat Wolff and Lily Collins play his son Rusty and daughter Samantha), who are introduced in the first few minutes by having their opening lines written out on screen as they speak them, but each in a different typeface to indicate their generational and aspirational differences. But that full stop also indicates a sort of finality to the protagonist’s feelings that foreshadows the way the film concludes. If this kind of preciousness is already putting you off, the film may not appeal to you, but I found it sort of solipsistically charming.
The film’s opening lines are delivered by high school student Rusty, but when famous writer Bill later finds the same words in his son’s journal, he states confidently that they are words that hook in a reader and should be used to start a story; writer/director Josh Boone is clearly pleased with his script. In all honesty, I liked it too, but perhaps because it feels like a tale of romantic angst drawn from my generation. For example, the music the teenage characters all listen to and identify with is music that the same people would have been listening to in the late-90s (Elliott Smith, Bright Eyes). Boone is around my age, so this self-identification probably accounts for elements both of my enjoyment of the script and also my frustration with some of the plotting and the characters.
A lot of the character arcs are just too neat, for example. Cynical Samantha, embittered by her parents’ divorce and her mother (Jennifer Connelly) shacking up with a younger (less literate) guy, is at university, avoiding relationships and embarking on a series of one-night stands with similarly philistine jocks. She has just had her first, cynical novel published when she meets sweet-natured bassist Lou (played nicely by Logan Lerman), and has her cynicism challenged by his relationship with his dying mother, which opens up the possibility of a rapprochement with her own detested mother. Meanwhile, Rusty has been enjoined by his father to grasp life’s experiences while he can, and so hooks up with party girl Kate, a path which leads him back to the seclusion of his own fantastic imagination. Tastes in authors both high (John Cheever) and somewhat more pulpy (the son is fixated on Stephen King) converge as everyone comes to embrace the best in each other over a Thanksgiving meal. Et cetera, et cetera.
It is perhaps never quite so pat, but at times it does certainly verge on the unabashedly sentimental. However, the world weariness conveyed by Greg Kinnear (who even manages to make his stalking of his ex-wife seem sort of adorable in an infantile way), as well as the perky young actors, keep the film interesting. Best of the bunch for me are Nat Wolff as the introverted Rusty and Logan Lerman as soulful Lou, both essaying a sort of vulnerable perplexity, while Lily Collins as the sister is at least convincingly embittered.
It may not be a masterpiece, but I consistently enjoyed Stuck in Love. At its best it really has a handle on its characters and its milieu, however comfortably and at times off-puttingly self-congratulatory and middle-class it may be.
NEW RELEASE FILM REVIEW Director/Writer Josh Boone | Cinematographer Tim Orr | Starring Greg Kinnear, Nat Wolff, Logan Lerman, Lily Collins, Jennifer Connelly | Length 97 minutes || Seen at Cineworld Haymarket, London, Friday 14 June 2013