Two 2018 Films by Sergei Loznitsa: Victory Day and The Trial

For my history themed week, I’m focusing on a couple more films which are somewhat tangential to history, both made by a Ukrainian filmmaker. The Trial takes footage from the 1930s and uses it to make a point about the way that events are manipulated by the (state-controlled) media, whereas Victory Day is about the way that history informs the present, specifically World War II, taking a celebration of Soviet victory over Germany, but as it unfolds at a monument in Berlin itself. These are slow, self-effacing documentaries that nonetheless reveal something fairly interesting about the ways we relate to history, and the way it can be used.

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Trys dienos (Three Days, 1991)

A filmmaker whose first films were made in the final dying days of the Soviet Union (I have a bonus review of one of them below), but who has since come to some prominence on the art film scene has been Šarūnas Bartas (often transcribed as Sharunas Bartas). I’ve so far only seen this, his debut feature film, but it has a beautiful slow cinema quality that definitely commends his work to me, and as a bonus comes in at a sprightly 75 minutes.


Strong echoes of Tarkovsky in this debut feature. It moves slowly, deliberately, without excessive talking. There are characters (two young men, and a young woman, primarily), who meet, then seem to be looking for a room, but for what reason (sex? shelter? some flicker of human connection?) is unclear. What is evident is that their town is bleak, apparently without comfort, filled with crumbling edifices, and that their lives have little future to commend them. Bartas, like Tarkovsky and Tarr, is great at capturing that feeling in landscapes, against which the characters seem suitably bowed. Fantastic stuff but I love this kind of thing.

Three Days French film posterCREDITS
Director/Writer Šarūnas Bartas; Cinematographer Vladas Naudžius; Starring Katerina Golubeva Екатери́на Го́лубева, Rimma Latypova Римма Латыпова, Arūnas Sakalauskas, Audrius Stonys; Length 75 minutes.
Seen at home (DVD), London, Friday 30 December 2016.


Praejusios Dienos Atminimui (In Memory of the Day Passed By, 1990) [USSR, medium-length, black-and-white]

A beautiful quiet mid-length film which has a documentary way about capturing an unnamed city and its characters, its bleakness and its persistence, and the changing seasons.

In Memory of the Day Passed By film posterCREDITS
Director/Writer Šarūnas Bartas; Cinematographer Vladas Naudžius; Length 40 minutes.
Seen at home (DVD), London, Friday 30 December 2016.