It may be that I’m rather shoehorning this new Claire Denis film into my themed month. It’s certainly not about filmmakers in a traditional sense, but there’s an element of it that recalls, say, Michael Powell’s Peeping Tom in dealing with a nasty fringe of exploitational filmmaking, not intended for public consumption.
ADVANCE SCREENING FILM REVIEW || Director Claire Denis | Writers Jean-Pol Fargeau and Claire Denis | Cinematographer Agnès Godard | Starring Vincent Lindon, Chiara Mastroianni, Lola Créton, Michel Subor | Length 100 minutes | Seen at Hackney Picturehouse, London, Wednesday 5 February 2014 || My Rating very good
At some level this new film by French director Claire Denis is an hommage to film noir, that famous Hollywood style of filming crime dramas in the 1940s and 1950s which emphasised the characters’ sexuality just as it muddied its contrasty black-and-white filming with shades of moral grey. Bastards is not filmed in monochrome, but there’s plenty of darkness through which the characters drag themselves, as if hinting at barely-suppressed pools of torment. There’s a crime at its heart, too, but that takes some time to come to light. It also touches on themes familiar from Denis’ other films, a compact yet wonderful body of work of which this is a further facet.