Continuing my round-up of my favourite films of 2022 (full list here) and there was no shortage of opinions in either direction about Jordan Peele’s third feature, after Get Out and Us. In a sense, that’s what it was made for, so it succeeded brilliantly well, in conjuring up all kinds of conversations, not all of them particularly positive, but in the end it worked for me.
I’ve seen some fairly underwhelmed reviews of this film, but I do wonder if that’s not just from elevated expectations. The pace is somewhat lugubrious, although I do think it consistently builds tension throughout, and there’s a subplot involving Steven Yeun as a child star in a sitcom which doesn’t quite sit very comfortably with the rest of the film to my mind. However, its central premise — of a family of Black horse trainers whose history is deeply tied into filmmaking, trying to figure out a mystery happening around their homestead high out above Hollywood. There are evidently (maybe) aliens involved, possibly hiding behind a cloud, and the way this unfolds is nicely grounded in comedy, as one might expect. Its central conceit is grounded in the idea of looking, about the terrors and dangers of the image, and thus is tied pretty strongly into filmmaking, but while it never truly horrifies, it looks gorgeous and holds together nicely.
Director/Writer Jordan Peele; Cinematographer Hoyte van Hoytema; Starring Daniel Kaluuya, Keke Palmer, Steven Yeun 연상엽, Michael Wincott, Brandon Perea; Length 130 minutes.
Seen at Alamo Drafthouse Cinema New Mission, San Francisco, Wednesday 10 August 2022.