Dhalinyaro (aka Youth, 2018)

My main instinct with this film is to hold it back for my Global Cinema series, as I can’t imagine there are a huge number of other Djiboutian films to cover. Still, I like a challenge so hopefully I can find another one to cover when I get to the Ds. In the meantime, this is one of the films I’ve seen in the cinema since I arrived in New Zealand, and I thought broadly favourably about it.


A lot of the drama within this film is somewhat programmatic, in the sense of taking three young women from different walks of life and pushing them together for the sake of narrative expediency. Still, I can’t fault any of the spirited acting from the three leads, and needless to say there aren’t a whole lot of Djiboutian films that I can think of, so it’s just interesting to get an idea of the country. It follows the familiar movements of the coming of age film, as all three study for the college entrance exam, with varying levels of commitment. I also occasionally got the feeling that it didn’t quite know how to resolve some of these storylines, but seeing any of the three smiling was just about the happiest experience, and I can’t blame the filmmaker for wanting the best for her characters.

Dhalinyaro film posterCREDITS
Director Lula Ali Ismaïl لولا علي إسماعيل; Writers Ismaïl and Alexandra Ramniceanu; Cinematographer Jean-Christophe Beauvallet; Starring Amina Mohamed Ali, Tousmo Mouhoumed Mohamed, Bilan Samir Moubus; Length 86 minutes.
Seen at Light House Cuba, Wellington, Thursday 5 November 2020.