The Flash are a bar-room band and Ricki (Meryl Streep) is their lead singer. She’s in a relationship with the lead guitarist but isn’t willing to acknowledge it, and she’s estranged from her family (ex-husband Kevin Kline, a daughter and two sons) but events conspire to pull her back into their orbit after a decade away. It’s an odd experience this film, because I entirely believe in the characters — director Jonathan Demme and screenwriter Diablo Cody put in all kinds of details that seem to ring true. There’s a faint sense of desperation around the edges, Ricki/Linda has a day job to make ends meet, there’s the bijou apartment she lives in, and the bar where she plays, with its name tacked hastily over the previous one outside. This care to build believable characters extends too to her ex, to her daughter (played by Streep’s real-life daughter Mamie Gummer) and minor characters like the woman her son is marrying, dreadfully concerned with how things look to her conservative family. It’s just that I don’t buy any of the emotional relationships or character arcs: I don’t believe the decisions Ricki makes, and everything just seems too neatly constructed and overwritten. However, it’s a very likeable film in that old-fashioned way where every character has their reasons and we end up wanting the best for all of them.
NEW RELEASE FILM REVIEW
Director Jonathan Demme | Writer Diablo Cody | Cinematographer Declan Quinn | Starring Meryl Streep, Kevin Kline, Mamie Gummer | Length 101 minutes || Seen at Picturehouse Central, London, Wednesday 16 September 2015