RE-RELEASE FILM REVIEW
Seen at BFI Southbank (NFT3), London, Saturday 3 January 2015
I’ve by no means seen enough films by French New Wave director Éric Rohmer to judge where this 1986 film, one of his ‘Comedies and Proverbs’ series, fits into his œuvre, but I’m given to understand it heralds a move away from formalism towards something freer and a little bit spontaneous. Certainly, that fits with the later films of his I’ve seen (primarily the ‘Tales of the Four Seasons’), and there’s something almost artless about the filming and lighting here, done with a minimal crew on a 16mm camera that in (the relatively infrequent) indoor scenes is pushed towards an ugly graininess, and which at times suggests a vérité documentary quality (as when the kids look directly into the camera). But this, along with the film’s largely improvised dialogue (for which the lead actor Marie Rivière received an assistant screenwriting credit), is all part of a very conscious style that may not come across as much initially, but builds to a fascinating character study of a woman who seems to be dealing with depression, on the occasions when she reflects on her life and her failed relationships.