A quintessential Bergman-esque chamber drama of a couple dealing with their slow break-up and rapprochement over a period of about a decade, told in six chapters (six hour-long episodes in the TV version, but I watched the film version at half that length). There is barely anyone else on screen for the running time, and that’s really not much of an issue, because this is about these two people and the particular way they seem so happy together but, actually, aren’t. The acting is excellent, but I’m not sure I can summon enthusiasm for Bergman’s dramatics at this point in my life. However, I certainly wouldn’t wish to discount it: I was all ready to be very cynical early on, but I concede that the drama did eventually reel me in somewhat (even if I don’t accept this is necessarily how all marriages are).
FILM REVIEW: Criterion Collection
Director/Writer Ingmar Bergman | Cinematographer Sven Nykvist | Starring Liv Ullmann, Erland Josephson | Length 167 minutes || Seen at a friend’s home (DVD), London, Sunday 14 October 2018
Like Bridesmaids before it, and the more recent film Sisters, Bachelorette is a comedy about adults misbehaving which is written by and primarily stars women, and which if written by and starring men would probably be atrocious. (These scenarios have almost certainly already been made in that guise. They probably star Vince Vaughn.)
Sadly, Bachelorette doesn’t quite attain the hilarity of those other films, but it’s also fascinating in a quite different way, because all the central characters are uniformly awful, unlikeable people. Sure, there’s a move towards softening some of these characteristics by the end (which, for a film about marriage and strained friendships, is of course a wedding), but that’s really just the very final scene (it’s a bit soppy). For the most part the film doesn’t spare these characters, and yet despite that, the film mostly kinda works.
As for the storyline, it’s Rebel Wilson’s Becky who’s getting married (Wilson sounding weird doing an American accent), but the film is most interested in her closest friends, Regan (Kirsten Dunst), Katie (Isla Fisher) and Gena (Lizzy Caplan), none of whom are particularly happy, and who manifest this in various ways. When they accidentally ruin the bride’s dress (for the benefit of a particularly nasty joke at Becky’s expense), they end up having to call in favours and run around figuring out how to fix it, and it’s this almost-slapstick set-up which is probably the weakest part of the film. However, there are plenty of observant moments for each of these characters, and the acting is of a high calibre, such that it’s never quite as bad as it feels it should be. It’s even a little bit refreshing.
Director/Writer Leslye Headland (based on her play) | Cinematographer Doug Emmett | Starring Kirsten Dunst, Lizzy Caplan, Isla Fisher, Rebel Wilson | Length 87 minutes || Seen at home (streaming), London, Tuesday 5 January 2016