I was impressed by this film so it’s no surprise to read — on doing a little research — that Austrian director Götz Spielmann had been working for some time before he made this (although surprisingly hasn’t really made a big splash since then). He shows a fair bit of control over his subject and the performances, with a steely gaze to his camera that adds an edge to the moral drama playing out on screen, between a (fairly low-level) criminal and a police officer who has, shall we say, caused quite a lot of pain in his life and to whom he finds himself unexpectedly living next door. That particular setup seems a bit far-fetched, as does a relationship with the police officer’s wife, but yet somehow it all seems to make sense in the universe that this thriller plays out in. It’s a world of small towns, close-knit communities, and which even allows for a modicum of hope amongst all the bleakness. It’s a shame that it boils down to essentially a film about two men confronting one another over the women in their lives, but the way it’s handled is excellent.
FILM REVIEW: Criterion Collection
Director/Writer Götz Spielmann; Cinematographer Martin Gschlacht; Starring Johannes Krisch, Ursula Strauss, Andreas Lust, Irina Potapenko Ирина Потапенко; Length 122 minutes.
Seen at home (DVD), Wellington, Sunday 30 January 2022.