I recognise that perhaps the setup for this film is not the most original, and the characters are fairly dull as characters (they’re mostly variations on entitled middle-class white people), but yet I really enjoyed this relationship dysfunction comedy because it’s funny, and I am a huge fan of the always-underrated Melanie Lynskey, not to mention Alia Shawkat. The former is playing within her comedic element, as Annie, a woman who invites all her closest friends to a retreat at a family home out in the countryside as the pretext for staging an ‘intervention’ for her friend Cobie Smulders’ marriage, which ends up giving Annie a chance to rethink some things for herself. The film’s narrative arc is fairly predictable as are the ways everyone falls out with one another and then comes together again, but this is all about the performances from its ensemble cast, who are uniformly delightful. It also, importantly, doesn’t overstay its welcome.
Director/Writer Clea DuVall; Cinematographer Polly Morgan; Starring Melanie Lynskey, Alia Shawkat, Clea DuVall, Cobie Smulders, Natasha Lyonne; Length 88 minutes.
Seen at home (Netflix streaming), London, Monday 2 January 2017.
Joe Swanberg makes films like this one, self-contained little scenarios based entirely around his actors’ improvisations. By comparison, the previous year’s Drinking Buddies was a big budget blowout (even if it contained remnants of his cinematic style), but this is closer to his roots I feel. Swanberg plays Jeff, a husband to Kelly (Melanie Lynskey), whose settled domestic life with their infant son is disrupted by the arrival of Jeff’s younger sister Jenny (Anna Kendrick), who stays in their basement while she gets over some situation or other. It’s an intimate little family drama played out over the holiday season, though that’s never really a big part of the film. Mostly it’s about these people interacting with one another, as Kelly is at first wary of Jenny’s youth and lifestyle, before finding some common ground and allowing Jenny to coax her into redefining certain aspects of her relationship with Jeff. Even recounting this plot makes it sound somehow more melodramatic than it ends up being, and undoubtedly not all audiences will connect with this defiantly lo-fi aesthetic, but it feels like something more natural, reflecting something of real lived experience. Hearing Lynskey’s native New Zealand accent is also somehow reassuring, and reminds me of the vibrant improvised film scene when I was growing up in that country. I hope to continue seeing films like this from Swanberg; it marks a refreshing change of pace from the usual diet of slicker cinematic releases.
Director/Writer Joe Swanberg; Cinematographer Ben Richardson; Starring Anna Kendrick, Melanie Lynskey, Joe Swanberg, Lena Dunham, Mark Webber; Length 88 minutes.
Seen at home (Netflix streaming), London, Wednesday 29 July 2015.