Amongst the restorations and retrospectives, Mubi also presents new or rediscovered films by contemporary directors, both brand new names I’ve never heard of before (like Lina Rodriguez) — and this despite my regular attendance at film festivals! — or old names who have new works that perhaps have slipped by other means of distribution (such as new films by Krzysztof Zanussi for example, or the later works of Straub/Huillet). One such is this Chilean film by expatriate filmmaker and prolific auteur Raúl Ruiz; it was filmed in 1990 but edited together after Ruiz’s death (in 2011) by his partner.
A typically goofy project from the prolific expatriate Chilean director, returning to his home country to make this 1990 project with students, only now edited and released by his former partner. It has an episodic structure with title cards and only a loose sense of connectivity between the episodes, but it has Ruiz’s style, or rather his restless reinventions, as the action is framed differently, whether through TV screens and reflections, or shot from behind indoor plants, and other ways of retaining viewer attention. There’s a constant sense of play around spectatorship that you might expect, and it comes across as a metatextual reconfiguration of telenovelas with lots of references to contemporary Chile, which naturally pass me by but raise a wry smile at times. It has an energy and humour to it that is very likeable, even as (like many Ruiz films) it contains some kind of enigmatic mystery at its heart.
Directors Raúl Ruiz and Valeria Sarmiento; Writers Ruiz and Pia Rey; Cinematographers Leo Kocking, Héctor Ríos and Rodrigo Avilés; Starring Luis Alarcón, Patricia Rivadeneira, Francisco Reyes; Length 80 minutes.
Seen at home (Mubi streaming), London, Thursday 2 January 2020.