After news of director Lynn Shelton’s death broke last Saturday, like probably many cinephiles I watched a couple of her films the next day, revisiting Laggies and then her final film, made last year and which only trickled out onto UK streaming services at some point, presumably earlier this year. It’s a shaggy story but the easy charm of its leads and their interactions mean there’s no reason why it wouldn’t have made a perfectly good cinematic release, which events have conspired to prevent. Technically, it’s not her last feature film directorial credit (that would be comedy special Marc Maron: End Times Fun), but it’s the last one that marks her own work and distinctive voice, and features a fairly large acting role for her in the first five minutes of the film as the estranged partner of the protagonist.
This film further proves director Lynn Shelton’s adeptness with actors, eliciting some really fine character work via improvisational methods (so I gather), all within a loosely comedic framework. The themes of the film could’ve gone properly dark but it largely avoids that: the idea is that Jillian Bell’s character Cynthia inherits a sword from her recently deceased grandfather that he believed “proves” the South won the Civil War, whereupon she and pawn shop owner Mel (played by Marc Maron) discover that there’s money to be made from this absurd notion. “What is this, Antiques Roadshow for racists?” Mel asks when shown a YouTube clip by his shop assistant Nathaniel (Jon Bass) of an online vendor offering top dollar for items that “prove” their topsy-turvy thesis, and indeed there’s a running commentary about fake news and conspiracy theories throughout the film thanks to Nathaniel. The film never quite gets dragged down into the dark holes it skirts around, and ends up being a pretty low-stakes movie about small-scale grifters toying with ideas they all realise they shouldn’t really be getting involved with (it’s such a shaggy dog story that the involvement of guns towards the end of the film feels like a bit of a mis-step to me). Still, there’s such a lot of good character-led acting happening here, in such an easy unforced way, that it really makes you feel Shelton’s loss all the more; she had such a way with actors that for all the plot’s contortions, this film just feels like hanging out for an hour or two.
Director Lynn Shelton; Writers Shelton and Mike O’Brien; Cinematographer Jason Oldak; Starring Marc Maron, Jillian Bell, Michaela Watkins, Jon Bass, Dan Bakkedahl; Length 88 minutes.
Seen at home (Sky Movies streaming), London, Sunday 17 May 2020.