After recently watching Spice World and 1933’s The Invisible Man, I feel I already have a sense of how small, insular and close-minded an island Britain can be. Perhaps those weren’t the lessons to be learned from those particular films, but an assessment of the British (or English) character is somewhat in the background, and it’s the same here in a portrayal of the kind of education our ruling classes get in the UK. It’s a satire of course, but even when it’s going over-the-top (there’s a priest in a drawer! there’s an entire stash of weaponry!) it’s never particularly untethered from the reality — or at least how I imagine it to be (though the writers of this film were certainly drawing on lived experience). Even the very removed microcosm of school life I endured showed some of the hallmarks of the society depicted here, though obviously never nearly as brutal. It’s also rather awkward watching this in the era of incels and domestic terrorism, as you get the feeling that what Mick (Malcolm McDowell) and his compatriots are doing isn’t so far removed from that paradigm either. Still, given the system they’re rebelling against here, there is still an underlying level of sympathy for Mick, and the satire remains pointed. It’s no wonder it caused such a stir at the time, given the nature of politicised student violence and the incipient revolution in the air back in 1968, but there’s still a revolutionary zeal to it watching even now, alongside that black comedy.
FILM REVIEW: Criterion Collection
Director Lindsay Anderson; Writer David Sherwin; Cinematographer Miroslav Ondříček; Starring Malcolm McDowell, Richard Warwick, David Wood, Robert Swann, Christine Noonan; Length 112 minutes.
Seen at home (Blu-ray), Wellington, Friday 22 January 2021 (and on VHS at home at some point in the distant past).