Day three of the #LFF brings two films from the ‘Laugh’ strand of the programme, one each from South Korea and Morocco, which go about their comedy beats in different ways, but both raise wry smiles and a few laugh-out-loud moments.
Even by my standards, this is a mini-Women Filmmakers’ Wednesday entry, as I’ve only seen two films by Yim Soon-rye. However, born in 1961 and having studied film in Paris, she’s had a long career in the Korean film industry. Her films are characterised by their focus on women protagonists, that are a bit more contemplative than much mainstream cinema, though having only seen two I can’t really extrapolate much further myself. However, I will certainly be seeking out more opportunities to view her films.
When an acclaimed ‘world cinema’ director makes their English-language debut, it’s usually that familiar route, by filming in an English-speaking country, or getting some more bankable English-language star as the lead. Prolific Korean director Hong Sang-soo, however, may not perhaps be making the sort of films that attract interest from English-language producers, but he certainly isn’t the sort to do things in the customary way. Therefore, like last year’s Our Sunhi, what we have here is another entry in Hong’s increasingly familiar style, a sort of casual comedy of manners, still set in Korea, but with a Japanese protagonist (Ryo Kase as Mori) who doesn’t speak the local language, thus requiring most interactions to be in English. The setup is that Mori is in the country looking for an old flame, Kwon, but the framing story is her returning to find a bundle of letters from him, narrating his quest and his affair with a waitress called Youngsun (Moon So-ri). At some point near the start, Kwon drops the letters, so the scenes — flashbacks prompted by Mori’s words — come out of order. It’s all fairly slight as a setup, and indeed the running time is a very laconic 66 minutes, but there’s plenty of genuine humour, prompted by the second-language misunderstandings, the array of colourful smaller characters (including a hipster-ish Westerner), and the ersatz shooting style with its periodic zoom shots at moments of disquiet or confusion. Hong is certainly building up a persuasive body of work about feckless students and impulsive relationships, not to mention frequent scenes of drunkenness over restaurant tables, and it all serves to pass the time very agreeably.
Director/Writer Hong Sang-soo 홍상수; Cinematographer Park Hong-yeol 박홍열; Starring Ryo Kase 加瀬亮, Moon So-ri 문소리; Length 66 minutes.
Seen at ICA, London, Wednesday 8 October 2014.