It may not be the only documentary out this year that deals with snowy climates (a NZ effort earlier dealt with the Erebus disaster in Antarctica), but in portraying the native Sherpa community of Nepal, Australian documentarian Jennifer Peedom finds a interesting way into a story that touches on a lot of issues of the moment, not least the corrosive effect of global capitalism on local communities. By living around the base of the Himalayas, the Sherpas pretty much single-handedly supply the workforce for the many expeditions of rich Westerners looking to scale the summit, as they seek closure of their respective personally-meaningful spiritual journeys or whatnot. It’s just that in doing the gruntwork the Sherpas are exposed to exponentially more danger than the pampered clients, without a great deal of reward or compensation when things go wrong, which they frequently do. Stories like this year’s blockbuster Everest tell of tragedies that kill (white) mountaineers, but in 2014, 16 Sherpas were killed on a dangerous iceflow, and that’s not particularly surprising to anyone interviewed here. And so the documentary moves from its inception as an unusually beautiful and lyrically-edited portrait of a community to being witness to a nascent political struggle, pitting that community against an unfeeling government, not to mention the rich adventurers who are as likely to compare them to terrorists for denying them their tedious pseudo-spiritual vision quests. Still, Peedom has a generosity of spirit which I lack, finding time to incorporate all these viewpoints and giving a real sense of what it is to be involved in the Everest industry.
NEW RELEASE FILM REVIEW Director/Writer Jennifer Peedom | Cinematographers Renan Ozturk and Hugh Miller | Length 96 minutes || Seen at Picturehouse Central, London, Tuesday 22 December 2015
Coasting through the dregs and ephemera that crop up on the various streaming services, a wealth of films with stars you may have heard of but which have more or less been forgotten to history (usually for good reason), leads you down some odd little alleyways. This one, for example, is a snowboarding romcom leaning heavily on the upstairs-downstairs dynamic between an ordinary girl just looking to make some money to help support her single-father family, and the plutocratic capitalists on their winter jollies who have their own Austrian ski chalet. It capitalises on the charm of its rising-star lead actor Felicity Jones (as the girl, Kim, who has a perfunctory background as a skateboarding prodigy), and the chiselled jaw of television leading man Ed Westwick (best known as cad Chuck Bass on Gossip Girl, playing not far from type as Johnny, the scion of wealth and privilege). It also rounds up some likeable supporting performances from Tamsin Egerton as posh ski instructor (or ‘chalet girl’) Georgie, and Bill Nighy as the (as always) likeable father of Johnny, as well as Bill Bailey and Brooke Shields for bonus WTF points. Everyone else in this refined society, though, is just a one-dimensional upper-class berk with few redeeming features (though I don’t take particular exception to that). The resulting film may be as light and powdery as the snow that settles on their Austrian mountain, but there’s plenty to like all the same, whether the winning acting, or the actually rather sharp and deftly-put together script by Tom Williams, someone I’d not previously heard about, but a strong enough effort to make me want to seek out other things he’s done. Certainly worthwhile if it’s late on a weekend evening, you’ve had a few drinks, and you want something to pleasantly pass the time.
FILM REVIEW Director Phil Traill | Writer Tom Williams | Cinematographer Ed Wild | Starring Felicity Jones, Ed Westwick, Tamsin Egerton, Bill Nighy | Length 96 minutes || Seen at home (streaming), London, Saturday 25 July 2015
This restored film is receiving its world premiere at the BFI Archive Gala on 18 October 2013 at the 57th London Film Festival. I was lucky enough to be able to attend a press screening preview.
FILM FESTIVAL FILM REVIEW: London Film Festival (press screening) || Director/Cinematographer John Noel | Length 85 minutes | Seen at BFI, London, Tuesday 3 September 2013 || My Rating very good
When discussing films that are almost 90 years old — silent, black-and-white films from what seems like a dramatically remote era of modern history — you can apply different standards as to what makes them interesting: just the very existence of images from so long ago can be the cause of wonderment that wouldn’t be the case if the film had been made almost any time since. And though there are certainly aspects of that while watching this travelogue of a 1924 expedition to conquer Mount Everest, I think the majestic power of the images captured is at times as great as it would be in any subsequent film on the subject.