My themed week of African cinema has seen a lot of strategies for dealing with post-colonial issues, but Nigerien (that is, from Niger) filmmaker Moustapha Alassane used the generic codes of that most American of genres, the western, to critique Western involvement in Africa. It’s witty and never outstays its welcome. Equally amusing are his shorter, animated films, most of all the glorious Kokoa (which may have been made in the 1980s, though most resources list its year of production as 2001). Needless to say, Niger isn’t currently one of the most highly-developed film-producing nations in Africa, although Wikipedia relates that it was once far more productive, with the ethnographer Jean Rouch being heavily involved in work there, followed by a number of native-born directors. Production in the last few decades has dwindled, although at a recent London Film Festival, I did see The Wedding Ring (2016) by a woman director, Rahmatou Keïta.