A film made for TV in 2006 and rarely screened since, I saw this at a 10th anniversary show at the BFI (to tie in with their Black Star season focusing on black film talent), followed by a fascinating panel discussion afterwards which I think helped me appreciate it more by presenting a diverse range of responses and perspectives. It’s a film which sets up its unusual and challenging tone from the very opening shot of David Oyelowo’s character Joe stating direct to camera that all the problems he’s had in life are due to black people. It’s a deliberate provocation from a production with black writer, director and cast, and is said within a context of a drama which is hardly naturalistic — the film’s tone is much more black comedy or satire, even as it trades in some very harsh statements about systemic and ingrained racism within British society. Thus it’s made clear that Joe — a man who initially feels called upon to help improve the lives of minority ethnicities by becoming a teacher — is just the lightning rod for discussing these issues. From a stylistic perspective, the film also makes frequent use of direct-to-camera address from this unreliable protagonist — amplifying his voice and making it even more challenging — as he traverses a series of personal setbacks, all of which he pins to other black people. But the ostensible comedy in fact helps draw out all kinds of aspects of lived black experience — experiences within systems dedicated to education, mental health and employment, experiences with religion and the media, and within a society with deeply-ingrained messages around body shaming (specifically to do with hair, in this context). None of it feels like it should work — in some senses it comes across as quite a theatrical piece — but it’s in a great tradition of British television drama (I think back to the 1960s for the nearest comparisons, polemical films by directors like Alan Clarke). It’s rich in ideas, and Oyelowo is great in the lead.
SPECIAL SCREENING FILM REVIEW
Director Ngozi Onwurah | Writer Sharon Foster | Cinematographer David Katznelson | Starring David Oyelowo, Charles Mnene, Nikki Amuka-Bird | Length 89 minutes || Seen at BFI Southbank (NFT3), London, Tuesday 15 November 2016