A rather delightful late-Soviet comedy about a small town, where Kolya (Andrei Zhigalov, doing a holy fool type character) bumbles around, annoying people with his insipid questions about the weather, before hitting on the notion that he’s going to move away to the East to get a job, a ploy to prove to them that he’s not the good-for-nothing they think. Thus a film that opens with the camera gliding down from the heavens to the ground of this grim apartment block to confront a sea of deadpan faces — Kaurismäki-style stares into the abyss of hopelessness and entropy — immediately does an about-turn as everyone Kolya knows becomes excited by his sudden news, and quickly enough he finds he can’t back out of the lie. There are a succession of these little set-piece scenes of celebration, and at times it feels like it could burst into musical numbers (the few songs that pepper the film were sadly untranslated, but had more of a solemn setting to them). It’s a film that metaphorically suggests the Soviet Union in a period of transition, desperate for any (even made-up) hope for change.
Director Nikolai Dostal Николай Досталь; Writer Georgi Nikolayev Георгий Николаев; Cinematographers Yuri Nevsky Юрий Невский and Pyotr Serebryakov Пётр Серебряков; Starring Andrei Zhigalov Андрей Жигалов, Sergey Batalov Сергей Баталов, Irina Rozanova Ири́на Роза́нова; Length 79 minutes.
Seen at Cinema Arlecchino, Bologna, Tuesday 25 June 2019.