Hello and belated greetings to a new week. I got back from holiday and had my first day at work yesterday (Monday) so I failed to put a post up. Now I’m working from home, and may be for a while. This week’s theme is ‘films available on Netflix’ (and probably all directed by women). Maybe in future weeks I will cover other online streaming services. “But why now?” I hear you ask. “Why would you do a themed week about films available to watch online?” Well, I shall leave that for you to guess. I’m going to start with one of the most impressive little indie films from the last year, with a resonant title.
This isn’t a particularly showy film, though it does some things that other films make a big deal about. For a start, it’s shot like a Dardenne brothers film, in these long sinuous handheld shots, moving with people almost continuously, with very few perceptible cuts. However, the subject matter isn’t particularly aggrandising, as instead it deals with the aftermath of domestic violence, about one (professional, middle-class) woman, Aila (played by one of the directors, Elle-Máijá Tailfeathers), helping out Rosie (Violet Nelson), a poorer, pregnant woman she finds standing barefoot in the rain with a bruised face. Both are of First Nations origins, although that doesn’t necessarily help them get along — class seems to be the more evident dividing line, and Rosie finds it difficult to feel comfortable in the situation. The film is about trying to find some truth in these circumstances, of how difficult it is for those who are abused to accept help, and how difficult it is for those who want to give it, to accept that it may not always be wanted. The film journeys into a lot of difficult emotional terrain, and I think it’s a credit to the film that nothing is resolved easily. However, there’s a grace to it, and a sustaining power of just witnessing peoples’ lives and perhaps learning what it is to be helpful in such circumstances.
Directors/Writers Elle-Máijá Tailfeathers and Kathleen Hepburn; Cinematographer Norm Li; Starring Elle-Máijá Tailfeathers, Violet Nelson; Length 75 minutes.
Seen at home (Netflix streaming), London, Sunday 1 December 2019.